Teddy Charles – Collaboration: West (1956)

Prestige – PRLP 7028Rec. Dates : August 21, 1953, August 31, 1953 Vibes : Teddy CharlesBaritone Sax : Jimmy GiuffreBass : Curtis CounceClarinet : Jimmy GiuffreDrums : Shelly MannePiano : Teddy CharlesTenor Sax : Jimmy GiuffreTrumpet : Shorty “Jolly” Rogers Listening to Prestige : #91Album is Not Streamable Billboard : 06/30/1956Score of 76 A re-issue of the material on the 10-inch

Thelonious Monk – Thelonious Monk Trio (1956)

Prestige – PRLP 7027Rec. Dates : October 15, 1952, December 18, 1952, September 22, 1954 Piano : Thelonious MonkBass : Gerry Mapp, Percy HeathDrums : Art Blakey, Max Roach Listening to Prestige : #69, #73, #121Stream this Album Billboard : 03/10/1956Score of 70 The material presented here is that which was previously available on Prestige’s 10-inch LP 142 – plus two items released

Zoot Sims – Quartets (1956)

Prestige – PRLP 7026Rec. Dates : September 16, 1950, August 14, 1951 Tenor Sax : Zoot SimsBass : Curly Russell, Clyde LombardiDrums : Don Lamond, Art BlakeyPiano : John Lewis, Harry Biss Listening to Prestige : #34, #47Album is Not Streamable San Francisco ExaminerC.H. Garrigues : 10/14/1956 … A remastering of two sessions played in the early 50s, which together exemplify the turn-around which

Miles Davis – Miles Davis and Horns (1956)

Prestige – PRLP 7025Rec. Dates : January 17, 1951, February 19, 1953 Trumpet : Miles DavisBass : Percy Heath, Leonard GaskinDrums : Roy Haynes, Kenny ClarkePiano : John LewisTenor Sax : Sonny Rollins, Al Cohn, Zoot SimsTrombone : Bennie Green, Sonny Truitt Listening to Prestige: #39, #80Stream this Album Billboard : 04/14/1956Score of 76 The trumpet king of the “cool” era is heard here in several sound-enhanced sessions

Sonny Stitt – Sonny Stitt with Bud Powell and J.J. Johnson (1956)

Prestige – PRLP 7024Rec. Dates : October 17, 1949, December 11, 1949, January 26, 1950 Tenor Sax : Sonny StittBass : Nelson Boyd, Curly RussellDrums : Max RoachPiano : John Lewis, Bud PowellTrombone : J.J. Johnson Listening to Prestige: #8, #17, #20Stream this Album Billboard : 06/30/1956Score of 75 A re-issue of four selections Stitt made with Jay Jay Johnson in late 1949; Afternoon in Paris, Elora, Blue Mode, and Teapot – plus all

J.J. Johnson / Kai Winding / Bennie Green – Trombone By Three (1956)

Prestige – PRLP 7023Rec. Dates : May 26, 1949, August 23, 1949, October 5, 1951 Trombone : J.J. Johnson, Kai Winding, Bennie GreenBaritone Sax : Gerry Mulligan, Rudy WilliamsBass : Leonard Gaskin, Curley Russell, Tommy PotterDrums : Max Roach, Roy Haynes, Art BlakeyPiano : John Lewis, George Wallington, Teddy BrannonTenor Sax : Sonny Rollins, Brew Moore, Eddie “Lockjaw” Davis, Big Nick NicholasTrumpet : Kenny Dorham Listening to Prestige : #8, #14, #50Stream this Album Billboard : 04/07/1956Score

Stan Getz / Zoot Sims / Al Cohn / Allen Eager / Brew Moore – The Brothers (1956)

Prestige – PRLP 7022Rec. Dates : April 8, 1949, September 8, 1952 Baritone Sax : Stan GetzBass : Gene Ramey, Percy HeathDrums : Charlie Perry, Art BlakeyPiano : George Wallington, Walter Bishop Jr.Tenor Sax : Al Cohn, Allen Eager, Brew Moore, Zoot Sims, Stan GetzTrombone : Kai Winding Listening to Prestige : #6Stream this Album Billboard : 03/10/1956Score of 74 Title derives from fact that most of

Elmo Hope – Hope Meets Foster (1956)

Prestige – PRLP 7021Rec. Date : October 4, 1955 Piano : Elmo HopeBass : John OreDrums : Art TaylorTenor Sax : Frank FosterTrumpet : Lee Freeman Listening to Prestige : #154Album is Not Streamable Down Beat : 09/05/1956Nat Hentoff : 3.5 stars On Hope Meets Foster, Basie tenorman Frank Foster blows with pianist Elmo Hope, bassist John Ore, drummer Arthur Taylor, and on three numbers, trumpeter Lee

Sonny Rollins – Worktime (1956)

Prestige – PRLP 7020Rec. Date : December 2, 1955 Tenor Sax : Sonny RollinsBass : George MorrowDrums : Max RoachPiano : Ray Bryant Listening to Prestige : #159Stream this Album Billboard : 04/07/1956Score of 76 Some facets of Rollins‘ work have never been brought out adequately until this issue. There are subtleties and depths in his hard swinging jazz tenor that