Art by Tim Foley
Kenny Burrell
Guitar · born 31 July 1931
▸ Click for Richard Cook Bio
Burrell is on hundreds of records, many of which are among the more famous jazz sessions of the LP era, yet he has never secured the popularity which a guitarist might have expected in a period when its practitioners became as important as saxophonists and pianists. He grew up in Detroit and worked there until a tour with Oscar Peterson minded him to look further afield, and he moved to New York in 1956. His Christian-derived style helped get him a job with Benny Goodman, but thereafter he played in settings which were in the heartland of hard bop, for Prestige, Blue Note and New Jazz. Less a sideman and more a partner with several small-group leaders – especially Jimmy Smith, who was a favourite collaborator – Burrell's easygoing manner fits so snugly and accommodatingly into any jazz groove that he can almost disappear in a band situation, but his solos and rhythm parts are bluesily effective whatever the prevailing conditions. Gil Evans arranged Guitar Forms for him at Verve, which is perhaps the closest Burrell has ever been to a big-time date, but earlier or later records alike are highly enjoyable and only occasionally slip towards noodling. He presided over a wonderful Ellington tribute record, Ellington Is Forever (1975), which blends the feel of a jam session with insuperable mainstream values. He sang on some of his early 60s sessions, and lately has taken to doing so again.
Biography from Richard Cook's Jazz Encyclopedia (2005).
If you'd like more information, check out The New Grove Dictionary of Jazz (2002) or The Biographical Encyclopedia of Jazz (2007), both of which are still in print.
◆Outside Links
As leader
Kenny Burrell – Introducing Kenny Burrell
Kenny Burrell – Kenny Burrell
Kenny Burrell – Kenny Burrell
John Jenkins / Kenny Burrell – John Jenkins with Kenny Burrell
Kenny Burrell – Blue Lights, Volume One
Kenny Burrell / Jimmy Raney – 2 Guitars
Kenny Burrell – On View at the Five Spot Cafe
Kenny Burrell – Blue Lights, Volume Two
Plays on
Thad Jones – Detroit-New York Junction
Billie Holiday – Lady Sings the Blues
Frank Wess – North, South, East … Wess
Various Artists – Jazz Men Detroit
Kenny Dorham – ‘Round About Midnight At The Café Bohemia
Paul Chambers Sextet – Whims of Chambers
Paul Chambers – Bass On Top
Prestige All-Stars – All Night Long
Prestige All-Stars – All Day Long
Gene Ammons – Funky
Prestige All-Stars – Earthy
Gene Ammons – Jammin’ In Hi Fi
Idrees Sulieman / Webster Young / John Coltrane / Bobby Jaspar – Interplay for 2 Trumpets and 2 Tenors
Prestige All-Stars – After Hours
Buck Clayton – Buckin’ the Blues
Jimmy Smith – At The Organ, Volume One
Jimmy Smith – At The Organ, Volume Two
Jimmy Smith – House Party
Jimmy Smith – The Sermon
Mentioned in text
Jimmy Smith – At The Organ, Volume Three
Hank Mobley – Mobley’s Message
Lee Konitz – Inside Hi-Fi
Charles Mingus – East Coasting
Curtis Fuller – The Opener
Jimmy Raney – A
Paul Quinichette – On the Sunny Side
Curtis Fuller – New Trombone
Mal Waldron – Mal/2
Red Garland – Groovy
Phil Woods / Gene Quill / Sahib Shihab / Hal Stein – Four Altos
Art Taylor – Taylor’s Wailers
Paul Chambers – Paul Chambers Quintet
Cliff Jordan – Cliff Jordan
Sonny Clark – Dial “S” For Sonny
Curtis Fuller – Bone & Bari
Lee Morgan – City Lights
John Coltrane – Blue Train
Lee Morgan – The Cooker
Cliff Jordan – Cliff Craft
Bennie Green – Back on the Scene
Tommy Flanagan – Overseas
Lou Donaldson with The Three Sounds – LD+3
Gene Ammons – Blue Gene
Young Men from Memphis – Down Home Reunion
Freddie Hubbard – Open Sesame
Tina Brooks – True Blue
Curtis Fuller – Curtis Fuller, Volume Three
Various Artists – The Definitive Jazz Scene, Vol. 1
Miles Davis – Bitches Brew
Miles Davis – Get Up With It
Jimmy Heath – Picture of Heath
Tommy Flanagan – Ballads & Blues
