Kenny Burrell – Introducing Kenny Burrell (1956)

Blue Note – BLP 1523Rec. Dates : May 29, 1956, May 30, 1956 Guitar : Kenny BurrellBass : Paul ChambersCongas : CándidoDrums : Kenny ClarkePiano : Tommy Flanagan Strictlyheadies : 01/31/2019Stream this Album Billboard : 09/29/1956Score of 76 This is another of those Blue Note “firsts” that should become valuable inventory in time. Burrell is certainly one of the coming guitarists, Tommy Flanagan (last with Ella

Art Blakey – A Night At Birdland, Volume Two (1956)

Blue Note – BLP 1522Rec. Date : February 21, 1954 Drums : Art BlakeyAlto Sax : Lou DonaldsonAnnouncer : Pee Wee MarquetteBass : Curly RussellPiano : Horace SilverTrumpet : Clifford Brown Strictlyheadies : 01/30/2019Stream this Album Billboard : 01/05/1957Score of 81 Tremendous modern “hard bop” session cut at the jazz clue during working hours in 1954. Line-up is constructed much like Blakey‘s current

Art Blakey – A Night At Birdland, Volume One (1956)

Blue Note – BLP 1521Rec. Date : February 21, 1954 Drums : Art BlakeyAlto Sax : Lou DonaldsonAnnouncer : Pee Wee MarquetteBass : Curly RussellPiano : Horace SilverTrumpet : Clifford Brown Strictlyheadies : 01/29/2019Stream this Album Billboard : 09/01/1956Score of 78 Re-issue of material formerly on 10-inch, and worthy inventory for all ships with modernist clientele. The prophetic label once again has

Horace Silver – Horace Silver Trio and Art Blakey – Sabú (1957)

Blue Note – BLP 1520Rec. Dates : October 9, 1952, October 20, 1952, November 23, 1953 Piano : Horace SilverBass : Gene Ramey, Curly Russell, Percy HeathDrums : Art Blakey, Sabú Martínez Strictlyheadies : 01/28/2019Stream this Album Billboard : 01/19/1957Score of 77 Re-issue of material previously available on Blue Note 10-inch LPs Nos BLP 5018 and BLP 5034. The silver trio sides represent the beginning

Herbie Nichols – Herbie Nichols Trio (1956)

Blue Note – BLP 1519Rec. Date : August 1, 1955, August 7, 1955, April 19, 1956 Piano : Herbie NicholsBass : Al McKibbon, Teddy KotickDrums : Max Roach Strictlyheadies : 01/27/2019Stream this Album Billboard : 10/20/1956Score of 76 In jazz avant-garde circles Herbie Nichols has been touted for some time as one of “the” pianists to watch. His richly chorded style, with

Horace Silver – and The Jazz Messengers (1956)

Blue Note – BLP 1518Rec. Dates : November 13, 1954, February 6, 1955 Piano : Horace SilverBass : Doug WatkinsDrums : Art BlakeyTenor Sax : Hank MobleyTrumpet : Kenny Dorham Strictlyheadies : 01/26/2019Stream this Album Billboard : 10/06/1956Score of 77 Two earlier Blue Note 10-inchers are combined. Half were originally grouped under the Silver Quintet, which, on the next group of sessions become

Gil Mellé – Patterns in Jazz (1956)

Blue Note – BLP 1517Rec. Date : April 1, 1956 Baritone Sax : Gil MelléBass : Oscar PettifordDrums : Ed ThigpenGuitar : Joe CinderellaTrombone : Eddie Bert Strictlyheadies : 01/25/2019Stream this Album Cash Box : 10/27/1956 This five man combo, headed here by Gil Mellé (baritone sax), swing lightly but persuasively through several Mellé composed numbers and two standards. A noteworthy gift of

Jutta Hipp – At The Hickory House, Volume Two (1957)

Blue Note – BLP 1516Rec. Date : April 5, 1956 Piano : Jutta HippBass : Peter IndDrums : Ed Thigpen Strictlyheadies : 01/24/2019Stream this Album Billboard : 12/02/1957Score of 67 Miss Hipp is impressive in the way she gets around the piano, and for her facility with jazz language. However, the fire and uniformity of performance of the “important” jazz

Jimmy Smith – A New Sound, A New Star, Volume Two (1956)

Blue Note – BLP 1514Rec. Date : March 27, 1956 Organ : Jimmy SmithDrums : Donald BaileyGuitar : Thornel Schwartz Strictlyheadies : 01/22/2019Stream this Album Billboard : 05/26/1956Score of 76 In New York this past winter, Smith occasioned much interest with his unusual jazz work on the Hammond organ. Count Basie and others have found this instrument to have possibilities from a rhythm