Lou Donaldson – Lou Takes Off (1958)

Blue Note – BLP 1591Rec. Date : December 15, 1957 Alto Sax : Lou DonaldsonBass : George JoynerDrums : Art TaylorPiano : Sonny ClarkTrombone : Curtis FullerTrumpet : Donald Byrd Strictlyheadies : 05/10/2019Stream this Album Billboard : 08/11/1958Two stars A swingin’ four track set that offers three up-tempo times with solos by Donaldson and the rest of the crew and one medium-beat number. Supporting

Lee Morgan – Candy (1958)

Blue Note – BLP 1590Rec. Dates : November 18, 1957, February 2, 1958 Trumpet : Lee MorganBass : Doug WatkinsDrums : Art TaylorPiano : Sonny Clark Strictlyheadies : 05/09/2019Stream this Album Billboard : 12/01/1958Three stars Lee Morgan‘s growth as a top-flight modern jazz trumpeter is indicated on this new release on which he plays both up-tempo tunes and ballads with

Louis Smith – Here Comes Louis Smith (1958)

Blue Note – BLP 1584Rec. Dates : February 4, 1958, February 9, 1958 Trumpet : Louis SmithAlto Sax : Buckshot La FunkeBass : Doug WatkinsDrums : Art TaylorPiano : Duke Jordan Strictlyheadies : 05/02/2019Stream this Album Billboard : 04/28/1958New Jazz Talent Album Smith is one of the freshest newcomers on trumpet in some time. He has imagination, tone, and versatility. His ballads

Sonny Clark – Sonny’s Crib (1958)

Blue Note – BLP 1576Rec. Date : September 1, 1957 Piano : Sonny ClarkBass : Paul ChambersDrums : Art TaylorTenor Sax : John ColtraneTrombone : Curtis FullerTrumpet : Donald Byrd Strictlyheadies : 04/12/2019Stream this Album Billboard : 03/30/1958Three stars This is Sonny Clark‘s second featured LP for Blue Note and it shows growth on the part of this young pianist of the hard

Lee Morgan – City Lights (1958)

Blue Note – BLP 1575Rec. Date : August 25, 1957 Trumpet : Lee MorganAlto Sax : George ColemanBass : Paul ChambersDrums : Art TaylorPiano : Ray BryantTenor Sax : George ColemanTrombone : Curtis Fuller Strictlyheadies : 04/10/2019Stream this Album Billboard : 06/30/1958Two stars Lee Morgan, the 19-year-old trumpeter who has received much acclaim for his work with the Dizzy Gillespie crew, displays his flashy, hard

Curtis Fuller – Bone & Bari (1958)

Blue Note – BLP 1572Rec. Date : August 4, 1957 Trombone : Curtis FullerBaritone Sax : Tate HoustonBass : Paul ChambersDrums : Art TaylorPiano : Sonny Clark Strictlyheadies : 04/06/2019Stream this Album Billboard : 01/27/1958Score of 74 A modern, blowing session that leans more to the melodic values than many of its kind. Trombonist Fuller, comparatively new to big time, grows more

Bud Powell – Bud! The Amazing Bud Powell, Volume Three (1957)

Blue Note – BLP 1571Rec. Date : August 3, 1957 Piano : Bud PowellBass : Paul ChambersDrums : Art TaylorTrombone : Curtis Fuller Strictlyheadies : 04/05/2019Stream this Album AudioCharles A. Robertson : February, 1958 To say that this session finds Bud Powell back in the form which marked his first great solo sides on this label, after a hiatus of several years,

Paul Chambers – Bass On Top (1957)

Blue Note – BLP 1569Rec. Date : July 14, 1957 Bass : Paul ChambersDrums : Art TaylorGuitar : Kenny BurrellPiano : Hank Jones Strictlyheadies : 04/03/2019Stream this Album Billboard : 10/28/1957Special Merit Jazz Album A showcase for Paul Chambers, one of the most talented young bassists in jazz. Chambers utilizes it to good advantage, and has superlative support in the persons

Hank Mobley – Hank Mobley (1958)

Blue Note – BLP 1568Rec. Date : June 23, 1957 Tenor Sax : Hank Mobley, Curtis PorterAlto Sax : Curtis PorterBass : Paul ChambersDrums : Art TaylorPiano : Sonny ClarkTrumpet : Bill Hardman Strictlyheadies : 04/02/2019Stream this Album Billboard : 06/30/1958Three stars Hank Mobley shows off some listenable tenor work on this new album, his fourth for the label. On this new release

Curtis Fuller – The Opener (1957)

Blue Note – BLP 1567Rec. Date : June 16, 1957 Trombone : Curtis FullerBass : Paul ChambersDrums : Art TaylorPiano : Bobby TimmonsTenor Sax : Hank Mobley Strictlyheadies : 04/01/2019Stream this Album Billboard : 10/07/1957Score of 67 Fuller, another Blue Note “discovery,” essays a soft-spoken, Miles Davis approach to the trombone. Style is individual, but hardly dynamic enough here for a market conditioned