Cannonball Adderley – Know What I Mean? (1962)

Riverside – RLP 433 / 9433Rec. Dates : January 27, 1961, February 21, 1961, March 13, 1961Stream this Album Alto Sax : Cannonball AdderleyBass : Percy HeathDrums : Connie KayPiano : Bill Evans Billboard : 12/08/1962Spotlight Album of the Week Cannonball steps out of his usual sextet format for this date. Bill Evans is on piano and Connie Kay and Percy Heath from the Modern Jazz Quartet are

Cannonball Adderley Quintet – At the Lighthouse (1960)

Riverside ‎- RLP 344 / 9344Rec. Date : October 16, 1960Stream this Album Alto Sax : Cannonball AdderleyBass : Sam JonesCornet : Nat AdderleyDrums : Louis HayesPiano : Victor Feldman Cashbox : 12/10/1960Jazz Pick of the Week Adderley returns to the West Coast, the scene of his first “live” LP triumph, for his third quintet outing for the label. The group

Miles Davis – Kind of Blue (1959)

Columbia – CL 1355Rec. Dates : March 2, 1959, April 22, 1959Stream this Album Trumpet : Miles DavisAlto Sax : Cannonball AdderleyBass : Paul ChambersDrums : Jimmy CobbPiano : Wynton Kelly, Bill EvansTenor Sax : John Coltrane   Billboard : 08/31/1959Spotlight Winner of the Week Miles Davis, with his almost-regular group, composed of Cannonball Adderley, Paul Chambers, James Cobb, Johnny (!?) Coltrane, Wynton Kelly and Bill Evans, turns in

Milt Jackson – Plenty Plenty Soul (1957)

Atlantic – 1269Rec. Dates : January 5, 1957, January 7, 1957Stream this Album Vibes : Milt JacksonAlto Sax : Cannonball AdderleyArranger : Quincy JonesBaritone Sax : Sahib ShihabBass : Oscar Pettiford, Percy HeathDrums : Connie Kay, Art BlakeyPiano : Horace SilverTenor Sax : Lucky Thompson, Frank FosterTrombone : Jimmy ClevelandTrumpet : Joe Newman American Record GuideMartin Williamson : February, 1958 Many of the “modern” jazz musicians are concerned

Cannonball Adderley – In the Land of Hi-Fi (1956)

EmArcy – MG 36077Rec. Dates : June 8, 1956, June 18, 1956Stream this Album Alto Sax : Cannonball AdderleyBaritone Sax : Danny BankBass : Keter BettsCornet : Nat AdderleyDrums : Charles “Specs” WrightFlute : Jerome RichardsonPiano : Junior ManceTrombone : Bobby Byrne, Jimmy ClevelandTenor Sax : Jerome RichardsonTrumpet : Ernie Royal Billboard : 10/06/56Score of 74 The hard-swinging alto man, while in the “land of

Kenny Clarke – Bohemia After Dark (1955)

Savoy – MG 12017Rec. Dates : June 28, 1955, July 14, 1955Stream this Album Drums : Kenny ClarkeAlto Sax : Cannonball AdderleyBass : Paul ChambersCornet : Nat AdderleyFlute : Jerome RichardsonPiano : Horace Silver, Hank JonesTenor Sax : Jerome RichardsonTrumpet : Donald Byrd Billboard : 12/03/1955Score of 76 Some of the freshest, most imaginative jazz sounds around have been etched into this fine

Cannonball Adderley – African Waltz (1961)

Riverside – RLP 377 / 9377Rec. Dates : February 28, 1961, May 9, 1961, May 15, 1961Stream this Album Alto Sax : Cannonball Adderley, George DorseyArranger : Ernie Wilkins, Bob BrookmeyerBaritone Sax : Arthur ClarkeBass : Sam JonesConductor : Ernie WilkinsDrums/Percussion : Charlie Persip, Louis Hayes, Michael Olatunji, Ray BarrettoFlute : George Dorsey, Oliver Nelson, Jerome RichardsonPiano : Wynton KellyTenor Sax : Oliver Nelson, Jerome RichardsonTrumpet : Nat Adderley, Ernie

Cannonball Adderley – Somethin’ Else (1958)

Blue Note – BLP 1595Rec. Date : March 9, 1958 Alto Sax : Cannonball AdderleyBass : Sam JonesDrums : Art BlakeyPiano : Hank JonesTrumpet : Miles Davis Strictlyheadies : 05/15/2019Stream this Album Audio : December, 1958Charles A. Robertson An adjective “best” or “most” to quality a jazz album in connection with a time period of a year or so now is

Louis Smith – Here Comes Louis Smith (1958)

Blue Note – BLP 1584Rec. Dates : February 4, 1958, February 9, 1958 Trumpet : Louis SmithAlto Sax : Buckshot La FunkeBass : Doug WatkinsDrums : Art TaylorPiano : Duke Jordan Strictlyheadies : 05/02/2019Stream this Album Billboard : 04/28/1958New Jazz Talent Album Smith is one of the freshest newcomers on trumpet in some time. He has imagination, tone, and versatility. His ballads