Miles Davis Quintet – Miles (1956)

Prestige – PRLP 7014Rec. Date : November 16, 1955 Trumpet : Miles DavisBass : Paul ChambersDrums : Philly Joe JonesPiano : Red GarlandTenor Sax : John Coltrane Listening to Prestige : #157Stream this Album Billboard : 05/05/1956Score of 80 Two members of Davis‘, “new” quintet – drummer Philly Joe Jones and pianist Red Garland – were heard with him in the LP, Musing With Miles (Prestige 7007). Here

Sonny Clark – Sonny’s Crib (1958)

Blue Note – BLP 1576Rec. Date : September 1, 1957 Piano : Sonny ClarkBass : Paul ChambersDrums : Art TaylorTenor Sax : John ColtraneTrombone : Curtis FullerTrumpet : Donald Byrd Strictlyheadies : 04/12/2019Stream this Album Billboard : 03/30/1958Three stars This is Sonny Clark‘s second featured LP for Blue Note and it shows growth on the part of this young pianist of the hard

Johnny Griffin – A Blowing Session (1957)

Blue Note – BLP 1559Rec. Date : April 6, 1957 Tenor Sax : Johnny Griffin, John Coltrane, Hank MobleyBass : Paul ChambersDrums : Art BlakeyPiano : Wynton KellyTrumpet : Lee Morgan Strictlyheadies : 03/14/2019Stream this Album Audio : February, 1958Charles A. Robertson Subtitled as a blowing session, the second album bearing the name of the Chicago tenor saxist Johnny Griffin is just like that, in

John Coltrane – Blue Train (1958)

Blue Note – BLP 1577Rec. Date : September 15, 1957 Tenor Sax : John ColtraneBass : Paul ChambersDrums : Philly Joe JonesPiano : Kenny DrewTrombone : Curtis FullerTrumpet : Lee Morgan Strictlyheadies : 04/15/2019Stream this Album Billboard : 01/27/1958Special Merit Jazz Album A provocative item in the hard, modern idiom, most notable for tenorist Coltrane‘s arresting solo continuity. Obviously moved by vibrant, creative

Paul Chambers Sextet – Whims of Chambers (1957)

Blue Note – BLP 1534Rec. Date : September 21, 1956 Bass : Paul ChambersDrums : Philly Joe JonesGuitar : Kenny BurrellPiano : Horace SilverTenor Sax : John ColtraneTrumpet : Donald Byrd Strictlyheadies : 02/11/2019Stream this Album Billboard : 01/26/1957Score of 77 This is only the second LP which Chambers has been the “headliner,” but his work on bass on so many albums in the