Prestige LP 7008

Wardell Gray – Memorial, Volume One (1955)

Prestige – PRLP 7008Rec. Dates : November 11, 1949, April 25, 1950, February 20, 1953 Stream this Album Tenor Sax : Wardell GrayAlto Sax : Frank MorganBass : John Richardson, Tommy Potter, Dick NivisonDrums : Roy Haynes, Art Mardigan, Lawrence MarablePiano : Al Haig, Phil Hill, Sonny ClarkVibes : Teddy Charles Featured LinksListening to Prestige

Prestige LP 7007

Miles Davis – The Musings of Miles (1955)

Prestige – PRLP 7007Rec. Date : June 7, 1955 Stream this Album Trumpet : Miles DavisBass : Oscar PettifordDrums : Philly Joe JonesPiano : Red Garland Featured LinksListening to Prestige : #145June 7, 1955 San Francisco Chronicle (San Francisco, CA)Ralph J. Gleason : 12/06/1955 Miles Davis has come into his own this year. His appearance

Prestige LP 7006

Gerry Mulligan – Mulligan Plays Mulligan (1955)

Prestige – PRLP 7006Rec. Date : August 27, 1951 Stream this Album Baritone Sax : Gerry Mulligan, Max McElroyBass : Phil LeshinDrums : Walter BoldenMaracas : Gail MaddenPiano : George WallingtonTenor Sax : Allen EagerTrombone : Ollie WilsonTrumpet : Jerry Lloyd, Nick Travis Featured LinksListening to Prestige : #48August 27, 1951 Jazz ReviewMax Harrison :

Prestige LP 7005

Modern Jazz Quartet – Concorde (1955)

Prestige – PRLP 7005Rec. Date : July 2, 1955 Stream this Album Vibes : Milt JacksonBass : Percy HeathDrums : Connie KayPiano : John Lewis Featured LinksListening to Prestige : #149July 2, 1955 Billboard : 01/14/1956Spotlight on… selection Considering the critical esteem that the Modern Jazz Quartet enjoys, comparatively few recordings have been made available.

Prestige LP 7004

Lee Konitz – Subconscious-Lee (1955)

Prestige – PRLP 7004Rec. Dates : January 11, 1949, June 28, 1949, September 27, 1949, April 7, 1950 Stream this Album Alto Sax : Lee KonitzBass : Arnold FishkinDrums : Shelly Manne, Denzil Best, Jeff MortonGuitar : Billy BauerPiano : Sal Mosca, Lennie TristanoTenor Sax : Warne Marsh Featured LinksListening to Prestige : #2Listening to

Prestige LP 7003

Milt Jackson – Milt Jackson Quartet (1955)

Prestige – PRLP 7003Rec. Date : May 20, 1955 Stream this Album Vibes : Milt JacksonBass : Percy HeathDrums : Connie KayPiano : Horace Silver High FidelitySeptember 1955 The Milt Jackson Quartet is the Modern Jazz Quartet without John Lewis. The omission is somewhat monumental and although Lewis’ replacement, Horace Silver, plays an amusing style

Prestige LP 7002

Stan Getz – Quartets (1955)

Prestige – PRLP 7002Rec. Dates : June 21, 1949, January 6, 1950, April 14, 1950 Stream this Album Tenor Sax : Stan GetzBass : Percy Heath, Tommy Potter, Gene RameyDrums : Roy Haynes, Don Lamond, Stan LeveyPiano : Tony Aless, Al Haig Featured LinksListening to Prestige : #9Listening to Prestige : #19January 6, 1950Listening to

Lou Donaldson – Blues Walk (1959)

Blue Note – BLP 1593Rec. Date : July 28, 1958 Alto Sax : Lou DonaldsonBass : Peck MorrisonCongas : Ray BarrettoDrums : Dave BaileyPiano : Herman Foster Strictlyheadies : 05/13/2019Stream this Album Cashbox : 01/24/1959 Donaldson, who has had an alto sax say in seven Blue Note issues, mixes tempos up nicely under a quintet format here. Digging into a

Blue Note LP 1574

Hank Mobley / Lee Morgan – Peckin’ Time (1959)

Blue Note – BLP 1574Rec. Date : February 9, 1958 Tenor Sax : Hank MobleyTrumpet : Lee MorganBass : Paul ChambersDrums : Charlie PersipPiano : Wynton Kelly Strictlyheadies : 04/09/2019Stream this Album Cashbox : 12/26/1959 This is a good album. A free-wheeling session in which everyone cooks up a storm, ensemble-wise and especially on the solos. Mobley and Morgan are driven by a vigorous rhythm

John Jenkins / Kenny Burrell – John Jenkins with Kenny Burrell (1958)

Blue Note – BLP 1573Rec. Date : August 11, 1957 Alto Sax : John JenkinsGuitar : Kenny BurrellBass : Paul ChambersDrums : Dannie RichmondPiano : Sonny Clark Strictlyheadies : 04/08/2019Stream this Album Billboard : 02/17/1958Three stars Aided by flowing, consistently provocative rhythmic support and a most compatible, invigorating front-line compatriot in guitarist K. Burrell, Parker-influenced altoist Jenkins shows more promise than on previous records.