Carl Perkins – Introducing… (1956)

Dootone – DL-211Rec. Date : 1955-1956Stream this Album Piano : Carl PerkinsBass : Leroy VinnegarDrums : Lawrence Marable Billboard : 03/03/1956Score of 74 Perkins sounds like a real find. He’s authoritative and articulate in a moderately modern sense, and he has a fine feel for tempo and beat. The smart program should attract some less venturesome listeners. It includes

Clifford Brown and Max Roach – Study in Brown (1956)

EmArcy – MG 36037Rec. Dates : February 23, 1955, February 24, 1955, February 25, 1955Stream this Album Trumpet : Clifford BrownDrums : Max RoachBass : George MorrowPiano : Richie PowellTenor Sax : Harold Land Down Beat : 01/11/1956Nat Hentoff : 4 stars Study in Brown is another powerfully rhythmic, emotionally driving session by this vibrant quintet whose leaders are its chief

Oscar Peterson – Plays Count Basie (1956)

Clef – MG C-708Rec. Date : December 27, 1955Stream this Album Piano : Oscar PetersonBass : Ray BrownDrums : Buddy RichGuitar : Herb Ellis Billboard : 05/19/1956Score of 80 Peterson salutes Basie, the composer, pianist and bandsman by building a program on numbers long associated with the band (e.g., Lester Leaps In and Easy Does It). Peterson even adopts the “Count’s” sparse piano styling

Billie Holiday – Lady Sings the Blues (1956)

Clef – MG C-721Rec. Dates : September 3, 1954, June 6, 1956, June 7, 1956Stream this Album Vocals : Billie HolidayAlto Sax : Willie SmithArrangements : Tony ScottBass : Red Callender, Aaron BellClarinet : Tony ScottDrums : Chico Hamilton, Lenny McBrowneGuitar : Barney Kessel, Kenny BurrellPiano : Bobby Tucker, Wynton KellyTenor Sax : Paul QuinichetteTrumpet : Harry Edison, Charlie Shavers Billboard : 12/22/1956Spotlight on… selection Lady Sings the Blues is

Clark Terry – Clark Terry (1955)

EmArcy – MG-36007Rec. Dates : January 3, 1955, January 4, 1955Stream this Album Trumpet : Clark TerryArranger : Quincy JonesBaritone Sax : Cecil PayneBass : Oscar Pettiford, Wendell MarshallCello : Oscar PettifordDrums : Art BlakeyPiano : Horace SilverTrombone : Jimmy Cleveland Cashbox : 07/02/1955 Clark Terry, long a musician’s musician, with training that had him in the forefront of such bands as Hampton, Barnet, Count Basie and Duke

Clifford Brown / Max Roach – Brown and Roach Incorporated (1955)

EmArcy – MG-36008Rec. Dates : August 2, 1954, August 3, 1954, August 5, 1954, August 6, 1954Stream this Album Trumpet : Clifford BrownDrums : Max RoachBass : George MorrowPiano : Richie PowellTenor Sax : Harold Land Minneapolis SpokesmanJ. Henry Randall : 06/24/1955 New albums in the modern vein occupied our attention this week, and we hasten to say, they are

Wild Bill Davis – At Birdland (1955)

Epic – LN 3118Rec. Dates : variousStream this Album Organ : Wild Bill DavisDrums : Chris ColumbusGuitar : Floyd Smith Down Beat : 06/29/1955Nat Hentoff : 3 stars Wild Bill Davis at Birdland is a fiercely swinging double-set by organist Davis, guitarist Floyd Smith, and drummer Chris Columbus, excellently recorded at Birdland. The rating isn’t higher because Wild Bill’s driving beat on

Stan Getz – West Coast Jazz (1955)

Norgran – MGN 1032Rec. Date : August 15, 1955Stream this Album Tenor Sax : Stan GetzBass : Leroy VinnegarDrums : Shelly MannePiano : Lou LevyTrumpet : Conte Candoli Billboard : 10/15/1955Score of 81 Name power, talent and a display-worthy cover tag this as a leader. Getz and Manne are the big names, of course, tho Candoli too has a following. The new star, comparatively, is Levy, whose

Lionel Hampton / Stan Getz – Hamp and Getz (1955)

Norgran – MGN 1037Rec. Date : August 1, 1955Stream this Album Vibes: Lionel HamptonTenor Sax : Stan GetzBass : Leroy VinnegarDrums : Shelly MannePiano : Lou Levy Billboard : 12/31/1955Spotlight on… selection Differently oriented as Lionel Hampton and Stan Getz are in their basic approach to jazz, this first record session of theirs together is surprisingly successful. Hampton is the strong spirit of the

Roy Eldridge and Dizzy Gillespie – Roy and Diz #2 (1955)

Clef – MG C-671Rec. Date : October 29, 1954Stream this Album Trumpet : Roy Eldridge, Dizzy GillespieBass : Ray BrownDrums : Louis BellsonGuitar : Herb EllisPiano : Oscar PetersonVocals : Roy Eldridge, Dizzy Gillespie Billboard : 11/26/1955Score of 80 The first Roy-Diz set set, provocative as it was, struck many as more of a “cutting contest” than a collaboration. While the