Cannonball Adderley Quintet – In San Francisco (1959)

Riverside – RLP 12-311Rec. Dates : 10/18 & 10/20/1959Stream this Album Alto Sax : Cannonball AdderleyBass : Sam JonesCornet : Nat AdderleyDrums : Louis HayesPiano : Bobby Timmons   Billboard : 12/28/1959 Cannonball and company generate a lot of live excitement on this “on location” assignment. The set was cut at San Francisco’s Jazz Workshop, with Adderley introducing the numbers. The

Wes Montgomery Trio – Wes Montgomery Trio (1960)

Riverside – RLP 12-310Rec. Dates : October 5 & 6, 1959Stream this Album Guitar : Wes MontgomeryDrums : Paul ParkerOrgan : Melvin Rhyne   Billboard : 02/15/1960Three stars Montgomery is an accomplished cat with his amplified guitar and he plays here in combo form with Melvin Rhyne on organ and Paul Parker on drums. The group plays a moody kind of easy-going jazz

Wynton Kelly – Kelly Blue (1959)

Riverside – RLP 12-298Rec. Dates : February 19, March 10, April 20, 1959Stream this Album Piano : Wynton KellyBass : Paul ChambersCornet : Nat AdderleyDrums : Jimmy CobbFlute : Bobby JasparTenor Sax : Benny Golson   Cashbox : 09/12/1959 Kelly, Miles Davis‘ pianist and one of the top new pianists on the scene, leads his own recording group here on a bill

Cannoball Adderley & Milt Jackson – Things Are Getting Better (1959)

Riverside – RLP 12-286Rec. Date : 10/28/1958Stream this Album Alto Sax : Cannonball AdderleyBass : Percy HeathDrums : Art BlakeyPiano : Wynton KellyVibes : Milt Jackson   Boston GlobeRalph J. Gleason : 03/25/1959 Today you can with considerable safety order any LP that has Cannonball Adderley on it and be sure it’s a valuable jazz album. And when you have Milt Jackson, Percy Heath, Art

Pepper Adams – 10 to 4 at the 5 Spot (1958)

Riverside – RLP 12-265Rec. Date : April 15, 1958Stream this Album Baritone Sax : Pepper AdamsBass : Doug WatkinsDrums : Elvin JonesPiano : Bobby TimmonsTrumpet : Donald Byrd   American Record GuideMartin Williams : September, 1958 Adams is, first, probably as close to a virtuoso of baritone saxophone as there. Like that of several other saxists (who have probably gained attention

Various Artists – Blues for Tomorrow (1958)

Riverside – RLP 12-243Rec. Dates : April 10, 1957, May 28, 1957,June 19, 1957, June 26, 1957, July 3, 1957Stream this Album (YT only) Alto Sax : Gene Quill, Gigi GryceBass : Les Grinage, Wilbur Little, Paul Chambers, Buddy ClarkBass Clarinet / Flute : Herbie MannDrums : Ed Thigpen, Elvin Jones, Roy Haynes, Art Blakey, Mel LewisGuitar : Mundell LowePiano : Billy Taylor, George Wallington, Sonny Clark, Jimmy RowlesTenor Sax : Bobby

Cannonball Adderley – Know What I Mean? (1962)

Riverside – RLP 433 / 9433Rec. Dates : January 27, 1961, February 21, 1961, March 13, 1961Stream this Album Alto Sax : Cannonball AdderleyBass : Percy HeathDrums : Connie KayPiano : Bill Evans Billboard : 12/08/1962Spotlight Album of the Week Cannonball steps out of his usual sextet format for this date. Bill Evans is on piano and Connie Kay and Percy Heath from the Modern Jazz Quartet are

Blue Mitchell – Blue’s Moods (1960)

Riverside – RLP 336 / 9336Rec. Dates : August 24 & 25, 1960Stream this Album Trumpet, Cornet : Blue MitchellBass : Sam JonesDrums : Roy BrooksPiano : Wynton Kelly Cashbox : 12/17/1960 Blue Mitchell, mainstay of the Horace Silver group, has proved his strong, youthful leadership ability on a previous Riverside album, Blue Soul. Here he is featured with Wynton Kelly, Sam Jones and Roy Brooks.

Cannonball Adderley Quintet – At the Lighthouse (1960)

Riverside ‎- RLP 344 / 9344Rec. Date : October 16, 1960Stream this Album Alto Sax : Cannonball AdderleyBass : Sam JonesCornet : Nat AdderleyDrums : Louis HayesPiano : Victor Feldman Cashbox : 12/10/1960Jazz Pick of the Week Adderley returns to the West Coast, the scene of his first “live” LP triumph, for his third quintet outing for the label. The group