Photo by Gale Agency, New York (public domain)
Bud Powell
Piano · born 27 September 1924 – died 1 August 1966
▸ Click for Richard Cook Bio
A mental case who suffered numerous nervous collapses, who behaved irrationally on an almost continuous basis, and who abused himself further with heroin use and heavy drinking, Powell was also one of the masters of the bebop idiom, even if his music seems to balance precariously between executive brilliance and a capitulation to a kind of narcotic delirium – almost a manifestation of bop's state of jangled nerves. He was part of the inner circle at Minton's Playhouse in the early 40s, where Thelonious Monk kept an eye on his progress, and he began playing in Cootie Williams's orchestra in 1943. But things started to go awry for him as early as 1945, when he was hospitalized supposedly following a racial beating, and though he quickly returned to the 52nd Street scene, recurrent problems led to him having ECT later in the decade. While he didn't take part in any of the early major bebop record dates, his own first records as a leader in 1947 unveiled his early style brilliantly, showing the influence of such earlier masters as Nat Cole and Teddy Wilson, but with a careering right hand which, as many commentators have suggested, was the pianistic equivalent of Charlie Parker's explosive lines. His almost brittle delivery underscored the piano's existence as a percussion instrument, and the role of his left hand – sparsely marking out chords which blipped into unexpected spaces, dissonant and startling even if one follows that hand rather than the right – quickly became standard practice for bebop piano, even though none really approached Powell's momentous personification of the style. Alfred Lion recorded him for Blue Note later in the decade with a band including Fats Navarro and Sonny Rollins, and Ornithology is a beautiful instance of Powell in his prime. But there was a two-year gap before his next session for Blue Note. His behaviour became increasingly strange, and even Parker, hardly the epitome of good sense when it came to personal conduct, didn't want him in his band. Lion set up another date for Blue Note in 1951, and it didn't start auspiciously: Powell tried to kill Lion's cat, disappeared for 90 minutes just as they were about to start playing, and then rushed headlong through the date. His 50s work for Blue Note included some astonishing work, such as Un Poco Loco and The Glass Enclosure, yet even by 1953 his playing had begun to decline, marked by misfingerings and dead ends. Even a below-par Powell was worth hearing and he made some further records for RCA and Roulette later in the decade, but by 1959 he was in a very fragile state and went to live in Paris for five years, a celebrity away from home, and while his life was settled to some extent, his musical powers continued to diminish rather than recover. As with Lester Young, who, like Powell, was in part used as the basis for the Dale Turner character in Bertrand Tavernier's Round Midnight, Powell's playing became careful and self-conscious, and although many public and private recordings have survived from his Paris years, the best moments are often hidden or spoiled. He went back to America in 1964 on the promise of work, but was already suffering from tuberculosis and cirrhosis, and though he was supposed to return to Paris he never did: after a hopeless final Carnegie Hall concert in 1965, he died from his TB condition in 1966.
Biography from Richard Cook's Jazz Encyclopedia (2005).
If you'd like more information, check out The New Grove Dictionary of Jazz (2002) or The Biographical Encyclopedia of Jazz (2007), both of which are still in print.
As leader
Bud Powell – Jazz Original
Bud Powell – The Amazing Bud Powell, Volume One
Bud Powell – The Amazing Bud Powell, Volume Two
Bud Powell – Piano Interpretations
Bud Powell – Bud! The Amazing Bud Powell, Volume Three
Bud Powell Trio – Strictly Powell
Bud Powell – Time Waits: The Amazing Bud Powell, Volume Four
Bud Powell Trio – Blues in the Closet
Bud Powell – The Scene Changes
Plays on
Sonny Stitt – Sonny Stitt with Bud Powell and J.J. Johnson
Fats Navarro – The Fabulous Fats Navarro, Volume One
Fats Navarro – The Fabulous Fats Navarro, Volume Two
The Quintet – Jazz at Massey Hall
Mentioned in text
Clifford Brown / Max Roach – Brown and Roach Incorporated
Tal Farlow – The Interpretations of Tal Farlow
Billy Taylor – Evergreens
Phineas Newborn Jr. – Here is Phineas
Jimmy Giuffre – The Jimmy Giuffre Clarinet
Jay Jay Johnson – The Eminent Jay Jay Johnson, Volume One
Jay Jay Johnson – The Eminent Jay Jay Johnson, Volume Two
The Jazz Messengers – At the Café Bohemia, Volume One
The Jazz Messengers – At the Café Bohemia, Volume Two
Thelonious Monk – Genius of Modern Music, Volume One
Thelonious Monk – Genius of Modern Music, Volume Two
Jimmy Smith – A New Sound, A New Star, Volume One
Jimmy Smith – A New Sound, A New Star, Volume Two
Jutta Hipp – At The Hickory House, Volume One
Herbie Nichols – Herbie Nichols Trio
Dexter Gordon – Blows Hot and Cool
Clifford Brown and Max Roach – At Basin Street
Red Rodney Quintet – Modern Music from Chicago
Bud Shank – The Bud Shank Quartet
Elmo Hope Trio – Meditations
Sanford Gold – Piano D’or
Elmo Hope – Hope Meets Foster
Stan Getz / Zoot Sims / Al Cohn / Allen Eager / Brew Moore – The Brothers
Teddy Charles – Collaboration: West
Jackie McLean Quintet – Lights Out!
Elmo Hope Sextet – Informal Jazz
Miles Davis – Collectors’ Items
Jackie McLean – 4, 5, and 6
Bennie Green – Walking Down
Gene Ammons – All-Star Sessions
Hank Mobley – Mobley’s Message
Randy Weston Trio – With These Hands
Sonny Stitt – Sonny Stitt Plays
Charles Mingus – The Clown
Jutta Hipp – At The Hickory House, Volume Two
Jimmy Smith – At Club Baby Grand, Volume One
Jimmy Smith – At Club Baby Grand, Volume Two
Johnny Griffin – Introducing Johnny Griffin
Kenny Dorham – Afro-Cuban
J.R. Monterose – J.R. Monterose
Lou Donaldson – Quartet Quintet Sextet
Sonny Rollins – Sonny Rollins, Volume One
Lou Donaldson Quintet – Wailing With Lou
Thad Jones – The Magnificent Thad Jones, Volume Three
Sonny Rollins – Sonny Rollins, Volume Two
Johnny Griffin – A Blowing Session
Curtis Fuller – The Opener
Paul Chambers – Bass On Top
The Jazz Messengers – Hard Bop
Sonny Rollins – Way Out West
Curtis Counce – You Get More Bounce With Curtis Counce
Horace Silver – Silver’s Blue
Charles Mingus – Charles Mingus Trio
Bud Shank – Bud Shank Quartet
Gil Mellé – Gil’s Guests
Red Garland Trio – A Garland of Red
Freddie Redd / Hamp Hawes – Piano East / Piano West
Jackie McLean Quintet – Jackie’s Pal
Sonny Rollins – Saxophone Colossus
Phil Woods / Donald Byrd – The Young Bloods
Prestige All-Stars – All Day Long
Hank Mobley Quintet – Mobley’s 2nd Message
Thad Jones / Frank Wess / Teddy Charles / Mal Waldron / Doug Watkins / Elvin Jones – Olio
Red Garland Trio – Red Garland’s Piano
Kenny Burrell – Kenny Burrell
Mal Waldron Quintet – Mal-1
Mose Allison – Back Country Suite
Art Farmer / Donald Byrd / Idrees Sulieman – Three Trumpets
Paul Quinichette – On the Sunny Side
Webster Young – For Lady
Miles Davis – Bags Groove
Gene Ammons – Jammin’ In Hi Fi
Mal Waldron – Mal/2
Idrees Sulieman / Webster Young / John Coltrane / Bobby Jaspar – Interplay for 2 Trumpets and 2 Tenors
Red Garland – Groovy
Phil Woods / Gene Quill / Sahib Shihab / Hal Stein – Four Altos
Art Taylor – Taylor’s Wailers
Bill Evans – New Jazz Conceptions
Kenny Drew – Kenny Drew Trio
Kenny Drew – This Is New
Sonny Rollins – The Sound of Sonny
Hank Mobley Quintet – Introducing Lee Morgan
Cecil Payne – Cecil Payne
George Wallington – Knight Music
Hank Mobley Sextet – Hank
Paul Chambers – Paul Chambers Quintet
Cliff Jordan – Cliff Jordan
Hank Mobley – Hank Mobley
Sonny Clark – Dial “S” For Sonny
Curtis Fuller – Bone & Bari
Lee Morgan – City Lights
Sonny Clark – Sonny’s Crib
John Coltrane – Blue Train
Lee Morgan – The Cooker
Sonny Clark – Sonny Clark Trio
Johnny Griffin – The Congregation
Sonny Clark – Cool Struttin’
Lee Morgan – Candy
Louis Smith – Smithville
Kenny Burrell – Blue Lights, Volume One
Hampton Hawes Quartet – All Night Session! Vols. 1-3
George Wallington Quintet – The Prestidigitator
Jackie McLean / John Jenkins – Alto Madness
Yusef Lateef Quintet – The Sounds of Yusef
Steve Lacy – Soprano Sax
Sonny Rollins – Tour De Force
Red Garland Quintet – All Mornin’ Long
Sonny Stitt – Stitt’s Bits
Tommy Flanagan – Overseas
Mose Allison – Young Man Mose
Tiny Grimes with Coleman Hawkins – Blues Groove
Red Garland Trio – Manteca
Dorothy Ashby – Hip Harp
Eddie “Lockjaw” Davis – Cookbook
Shirley Scott – Great Scott!
Freddy Redd Trio – San Francisco Suite for Jazz Trio
Johnny Griffin – Johnny Griffin Sextet
Jimmy Smith – The Sounds of Jimmy Smith
Jimmy Smith – House Party
Dizzy Reece – Blues in Trinity
Horace Silver Quintet – Finger Poppin’
Charles Mingus – Mingus Ah Um
Miles Davis – And The Modern Jazz Giants
Curtis Fuller – Sliding Easy
Walter Davis, Jr. – Davis Cup
Donald Byrd – Byrd in Hand
Kenny Burrell – On View at the Five Spot Cafe
Jackie McLean – Swing Swang Swingin’
Freddie Redd Quartet – Music from The Connection
Horace Parlan – Movin’ & Groovin’
Dizzy Reece – Soundin’ Off
Jackie McLean – Capuchin Swing
Harold Land – The Fox
Jackie McLean – Makin’ the Changes
John Coltrane – Giant Steps
Curtis Fuller – Curtis Fuller, Volume Three
Kenny Burrell – Blue Lights, Volume Two
Duke Pearson – Tender Feelin’s
Lou Donaldson – Sunny Side Up
Horace Parlan – Us Three
J.J. Johnson / Kai Winding – The Great Kai & J.J.
Jimmy Woods – Awakening!!
McCoy Tyner Trio – Inception
Thelonious Monk Quartet – Monk’s Dream
Art Blakey Jazz Messengers – Caravan
Bill Evans – Interplay
Charles Mingus – Town Hall Concert, 1964
Elvin Jones – And Then Again
Herbie Hancock – Maiden Voyage
Miles Davis – And the Modern Jazz Giants
