Art Farmer
Trumpet, Flugelhorn · born 21 August 1928 – died 4 October 1999
▸ Click for Richard Cook Bio
Farmer's contribution to jazz was a model of taste, consistency and finesse. That makes it sound boring, but Art was so inventive a player that, like Zoot Sims or Jack Teagarden, he seemed almost incapable of performing below a certain level. Although he was born in Iowa (with his twin brother Addison, 1928–63, who played bass), he grew up in Phoenix, and eventually changed from sousaphone to cornet in a local marching band. From 1945 he began playing on the West Coast, where he performed with several big bands, occasionally going out on tour, and in 1953 he moved over to New York, where he worked with Teddy Charles, Horace Silver and Gerry Mulligan: on Mulligan's 1958 version of My Funny Valentine, Farmer's beautiful playing makes Chet Baker seem pallid. But he had already begun recording as a leader, with Prestige, from 1953. By 1958 his playing was at its peak: Portrait Of Art (Contemporary) and Modern Art (United Artists) are brimful of detailed, intricately poised trumpet playing, where Farmer's reluctance to bite off his notes makes his playing on each track seem all of a piece. In 1959, he and Benny Golson formed The Jazztet, one of the great New York bands of its day, where the contrast between Farmer's persuasive style and Golson's aggression paid many dividends. The group had run its course by 1962, and during this period Farmer switched more or less exclusively to the flugelhorn, although he still picked up the trumpet occasionally, mostly for section-work. He led a quartet with Jim Hall and then another small group with Jimmy Heath, but he also found work in Europe, and maintained a home in Vienna for many years from 1968. Where others of his generation were puzzled by the way jazz had gone, Farmer calmly carried on working, in small groups and in orchestral settings, and the 80s in particular found him on golden form, leading some superb recordings with Clifford Jordan and staging various reunions with Benny Golson. He also began playing what he called the flumpet, which was a hybrid of trumpet and flugelhorn. If he occupies a middle ground somewhere between Miles Davis and Bobby Hackett, Art surrendered nothing to either man when it came to spinning out a lyrical solo, and his discography as a whole must be among the most satisfying in all of jazz.
Biography from Richard Cook's Jazz Encyclopedia (2005).
If you'd like more information, check out The New Grove Dictionary of Jazz (2002) or The Biographical Encyclopedia of Jazz (2007), both of which are still in print.
◆Outside Links
As leader
Art Farmer Quintet – Art Farmer Quintet
Art Farmer Septet – Plays the Arrangements and Compositions of Gryce and Jones
Art Farmer / Donald Byrd – Two Trumpets
Art Farmer – When Farmer Met Gryce
Art Farmer / Donald Byrd / Idrees Sulieman – Three Trumpets
Plays on
Teddy Charles – The Teddy Charles Tentet
Gene Ammons – Hi Fidelity Jam Session
Bennie Green – With Art Farmer
Earl Coleman – Earl Coleman Returns
Gene Ammons – All-Star Sessions
Clifford Brown – Memorial
Gene Ammons All-Stars – Jammin’ With Gene
Oscar Pettiford Orchestra – In Hi-Fi
Quincy Jones – This Is How I Feel About Jazz
Hank Mobley Quintet – Hank Mobley Quintet
Horace Silver – The Stylings of Silver
Gil Mellé – Gil’s Guests
Gene Ammons – Funky
Prestige All-Stars – Earthy
Hal McKusick – Jazz Workshop
George Russell – Jazz Workshop
Various Artists – Trumpets All Out
Teddy Charles – Word From Bird
Sonny Clark – Dial “S” For Sonny
Cliff Jordan – Cliff Craft
Sonny Clark – Cool Struttin’
Horace Silver Quintet – Further Explorations
Jimmy Cleveland – Cleveland Style
Prestige Blues-Swingers – Outskirts of Town
Gerry Mulligan – What Is There To Say?
Curtis Fuller – Curtis Fuller, Volume Three
Mentioned in text
Miles Davis – The Musings of Miles
Wardell Gray – Memorial, Volume One
Paul Quinichette – The Kid from Denver
Clifford Brown and Max Roach – At Basin Street
Red Rodney Quintet – Modern Music from Chicago
Wardell Gray – Memorial, Volume Two
Various Artists – Conception
Elmo Hope – Hope Meets Foster
Kai and Jay / Bennie Green – With Strings
Elmo Hope Sextet – Informal Jazz
Jackie McLean – 4, 5, and 6
Bennie Green – Walking Down
Lee Morgan – Indeed!
Horace Silver – 6 Pieces of Silver
Lee Morgan – Lee Morgan, Volume Three
Sonny Rollins – Sonny Rollins, Volume Two
Johnny Griffin – A Blowing Session
Paul Chambers – Bass On Top
Zoot Sims – Goes to Jazzville
Horace Silver – Silver’s Blue
Freddie Redd / Hamp Hawes – Piano East / Piano West
Jackie McLean Quintet – Jackie’s Pal
Prestige All-Stars – All Night Long
Teddy Charles – Evolution
Prestige All-Stars – All Day Long
Mal Waldron Quintet – Mal-1
Paul Quinichette – On the Sunny Side
Curtis Fuller – New Trombone
Prestige Jazz Quartet – Prestige Jazz Quartet
Gene Ammons – Jammin’ In Hi Fi
Art Taylor – Taylor’s Wailers
Hank Mobley Quintet – Introducing Lee Morgan
Art Pepper – Return of Art Pepper
Cliff Jordan – Cliff Jordan
Sonny Clark – Sonny Clark Trio
Lee Morgan – Candy
Lou Donaldson – Lou Takes Off
Louis Smith – Smithville
Jackie McLean / John Jenkins – Alto Madness
King Pleasure Sings / Annie Ross Sings
Herbie Mann – Mann in the Morning
Mose Allison – Young Man Mose
Freddy Redd Trio – San Francisco Suite for Jazz Trio
Hank Mobley / Lee Morgan – Peckin’ Time
Jackie McLean – New Soil
Gene Ammons – Blue Gene
Lou Donaldson – The Time is Right
Donald Byrd – Fuego
Freddie Redd Quartet – Music from The Connection
Horace Parlan – Movin’ & Groovin’
Jackie McLean – Makin’ the Changes
Yusef Lateef – The Three Faces of Yusef Lateef
Lee Morgan – Lee-Way
Duke Pearson – Tender Feelin’s
Horace Parlan – Us Three
Benny Bailey – Big Brass
Jimmy Heath – The Quota
J.J. Johnson / Kai Winding – The Great Kai & J.J.
McCoy Tyner Trio – Inception
Bill Evans – Interplay
Jimmy Heath – Picture of Heath
