Art by Tim Foley
Horace Silver
Piano · born 2 September 1928 – died 18 June 2014
▸ Click for Richard Cook Bio
Horace Ward Martin Tavares Silver began playing locally in Connecticut clubs at the end of the 40s, and he was heard in this capacity by a visiting Stan Getz, who subsequently hired the pianist and used him on some of the saxophonist's early sessions for the Roost label. Silver joined forces with Art Blakey in 1952 in the prototype Jazz Messengers in New York: though initial recordings were under Blakey's name, by the time the personnel settled down in 1954 they were called the Jazz Messengers. Silver stayed two further years and contributed extensively to the band's book, but after he left he went on to form his own quintets, which played in much the same style, although leavened by his own good humour. He had already begun recording for Blue Note while with Blakey, and that association grew warmer and more dependable as time went on: Silver stayed with the 'old' Blue Note longer than any other artist, still recording with the company until well into the 70s, and he became the musician who was Alfred Lion's closest confidant.
Meanwhile, his working group – always two horns and a rhythm section – began to personify what would become the standard hard-bop small-band setting. Throughout a long career, he has almost exclusively used his own originals rather than relying on any standards, and his writing in the 50s soon established the blueprint for his idiom. It was a logical progression from the cooling of bop's original helter-skelter first phase: the rhythm section still played in a taut, bebop style, but the convoluted melodies of bop were traded for much simpler, almost motif-like tunes (one of his early successes, The Preacher, was actually hated by Alfred Lion at first, and it took a bit of subterfuge by Horace – saying that if they abandoned it, it would mean more studio time spent – to get it past his producer). They added a melodious bounce to a sound that was still unimpeachably modern, and hip. Silver employed a procession of outstanding horn players for the next 20 years, including Carmell Jones, Hank Mobley, Kenny Dorham, Art Farmer, Blue Mitchell, Junior Cook, Joe Henderson, Woody Shaw, Clifford Jordan and Randy Brecker, and his Blue Note albums were a remarkably consistent lot: the sequence he cut at the end of the 50s, in what was a glorious spell for jazz on record, included The Stylings Of Silver, Further Explorations, Finger Poppin' and the quite flawless Blowin' The Blues Away, and is still an enthrallingly fresh listen, even after some five decades of similar music-making by others following the formula.
Silver's own playing helped keep his groups on their toes, pushing and thrusting whether in solo or accompaniment and constantly varying the pace with a stock of ingenious licks. Aside from a break in the early 70s, he kept touring the group and, although some of his latter-day Blue Note sets have some modish and misconceived trappings, he was one of the few old-stagers who left the label with his honour intact, not tempted by fusion. He subsequently founded his own label in the 80s and toured with new groups, although there were spells when he was off the scene due to illness or family matters. He later signed again to both Columbia and Impulse!, now a godfather of his idiom, and perhaps the only sour note of the period was his decision not to appear at the celebratory concerts which relaunched Blue Note in the middle 80s: if one musician's work sums up the ideals and rewards of that label, it is Silver's.
Biography from Richard Cook's Jazz Encyclopedia (2005).
If you'd like more information, check out The New Grove Dictionary of Jazz (2002) or The Biographical Encyclopedia of Jazz (2007), both of which are still in print.
As leader
Horace Silver – and The Jazz Messengers
Horace Silver – Horace Silver Trio and Art Blakey – Sabú
Horace Silver – 6 Pieces of Silver
Horace Silver – The Stylings of Silver
Horace Silver – Silver’s Blue
Horace Silver Quintet – Further Explorations
Horace Silver Quintet – Finger Poppin’
Horace Silver – Blowin’ the Blues Away
Plays on
Clark Terry – Clark Terry
Milt Jackson – Milt Jackson Quartet
Kenny Clarke – Bohemia After Dark
Miles Davis – Volume Two
Jay Jay Johnson – The Eminent Jay Jay Johnson, Volume Two
The Jazz Messengers – At the Café Bohemia, Volume One
The Jazz Messengers – At the Café Bohemia, Volume Two
Art Blakey – A Night At Birdland, Volume One
Art Blakey – A Night At Birdland, Volume Two
The Jazz Messengers – The Jazz Messengers
Art Farmer Septet – Plays the Arrangements and Compositions of Gryce and Jones
Miles Davis – Blue Haze
Milt Jackson – Plenty Plenty Soul
Paul Chambers Sextet – Whims of Chambers
Kenny Dorham – Afro-Cuban
J.R. Monterose – J.R. Monterose
Lou Donaldson – Quartet Quintet Sextet
Lee Morgan – Indeed!
Hank Mobley – With Donald Byrd and Lee Morgan
Lee Morgan – Lee Morgan Sextet
Hank Mobley – And His All Stars
Cliff Jordan / John Gilmore – Blowing In From Chicago
Hank Mobley Quintet – Hank Mobley Quintet
Sonny Rollins – Sonny Rollins, Volume Two
Modern Jazz Quartet / Milt Jackson Quintet – MJQ
Miles Davis All-Stars – Walkin’
Art Farmer – When Farmer Met Gryce
Miles Davis – Bags Groove
Mentioned in text
Miles Davis – The Musings of Miles
Cannonball Adderley – Presenting Cannonball
Jutta Hipp – At The Hickory House, Volume One
Kenny Burrell – Introducing Kenny Burrell
Dizzy Gillespie – World Statesman
Sanford Gold – Piano D’or
Elmo Hope Sextet – Informal Jazz
Jackie McLean – 4, 5, and 6
Hank Mobley – Mobley’s Message
Oscar Pettiford Orchestra – In Hi-Fi
Art Blakey’s Jazz Messengers – Hard Drive
Jutta Hipp – At The Hickory House, Volume Two
Jimmy Smith – At Club Baby Grand, Volume One
Jimmy Smith – At Club Baby Grand, Volume Two
Jutta Hipp – With Zoot Sims
Sonny Rollins – Sonny Rollins, Volume One
Lou Donaldson Quintet – Wailing With Lou
Thad Jones – The Magnificent Thad Jones, Volume Three
Johnny Griffin – A Blowing Session
Curtis Fuller – The Opener
Paul Chambers – Bass On Top
Don Byrd / Gigi Gryce – Jazz Lab
Kai Winding – Trombone Panorama
Sonny Rollins – Way Out West
Curtis Counce – You Get More Bounce With Curtis Counce
Randy Weston – The Modern Art of Jazz
Nat Adderley – To The Ivy League From Nat
Russ Freeman / Chet Baker – Quartet
The Jazz Messengers – Ritual
Gil Mellé – Gil’s Guests
Freddie Redd / Hamp Hawes – Piano East / Piano West
Prestige All-Stars – All Night Long
Sonny Rollins – Saxophone Colossus
Prestige All-Stars – All Day Long
Hank Mobley Quintet – Mobley’s 2nd Message
Thad Jones / Frank Wess / Teddy Charles / Mal Waldron / Doug Watkins / Elvin Jones – Olio
Mal Waldron Quintet – Mal-1
Mose Allison – Back Country Suite
Miles Davis Quintet – Cookin’
Ray Draper Quintet – Tuba Sounds
Prestige All-Stars – Earthy
Curtis Fuller – New Trombone
Phil Woods / Gene Quill – Phil Woods & Gene Quill with Prestige
Phil Woods / Gene Quill / Sahib Shihab / Hal Stein – Four Altos
Bill Evans – New Jazz Conceptions
Kenny Drew – Kenny Drew Trio
Coleman Hawkins – The Hawk Flies High
Kenny Drew – This Is New
Hank Mobley Quintet – Introducing Lee Morgan
Hank Mobley – Jazz Message #2
Various Artists – Trumpets All Out
Warne Marsh – Warne Marsh
Hank Mobley Sextet – Hank
Paul Chambers – Paul Chambers Quintet
Cliff Jordan – Cliff Jordan
Sonny Clark – Dial “S” For Sonny
John Jenkins / Kenny Burrell – John Jenkins with Kenny Burrell
Sonny Clark – Sonny’s Crib
Sonny Clark – Sonny Clark Trio
Johnny Griffin – The Congregation
Cliff Jordan – Cliff Craft
Louis Smith – Here Comes Louis Smith
Bennie Green – Back on the Scene
Sonny Clark – Cool Struttin’
Lee Morgan – Candy
Lou Donaldson – Lou Takes Off
Louis Smith – Smithville
Kenny Burrell – Blue Lights, Volume One
Bud Powell – Time Waits: The Amazing Bud Powell, Volume Four
Hampton Hawes Quartet – All Night Session! Vols. 1-3
Prestige All-Stars – Roots
Jackie McLean / John Jenkins – Alto Madness
Miles Davis Quintet – Relaxin’
Tommy Flanagan – Overseas
Mose Allison – Young Man Mose
Eddie “Lockjaw” Davis – Cookbook
Shirley Scott – Great Scott!
Prestige Blues-Swingers – Outskirts of Town
Hank Mobley / Lee Morgan – Peckin’ Time
Lou Donaldson – Blues Walk
The 3 Sounds – The 3 Sounds
Art Blakey and the Jazz Messengers – Moanin’
Dizzy Reece – Blues in Trinity
Jimmy Smith – The Sermon
Lou Donaldson with The Three Sounds – LD+3
Art Blakey & The Jazz Messengers – At the Jazz Corner of the World, Vol. 1
Charles Mingus – Mingus Ah Um
Gene Ammons – Blue Gene
Cannonball Adderley & Milt Jackson – Things Are Getting Better
Johnny Griffin – The Little Giant
Cannonball Adderley Quintet – In San Francisco
Curtis Fuller – Sliding Easy
Lester Young – Pres and Teddy
Walter Davis, Jr. – Davis Cup
Duke Pearson – Profile
Jackie McLean – Swing Swang Swingin’
Lou Donaldson – The Time is Right
Art Blakey – The Big Beat
Hank Mobley – Soul Station
Sonny Red – Out of the Blue
Jackie McLean – Capuchin Swing
Freddie Hubbard – Open Sesame
Wes Montgomery Trio – Wes Montgomery Trio
Wes Montgomery – The Incredible Jazz Guitar of Wes Montgomery
Blue Mitchell – Blue’s Moods
Cannonball Adderley Quintet – At the Lighthouse
Curtis Fuller – Curtis Fuller, Volume Three
Kenny Burrell – Blue Lights, Volume Two
Art Blakey & The Jazz Messengers – At the Jazz Corner of the World, Vol. 2
Duke Pearson – Tender Feelin’s
Bill Evans Trio – Explorations
Art Blakey – Impulse / Art Blakey / Jazz Messengers
Kai Winding – The Incredible Kai Winding Trombones
Ray Charles – Genius + Soul = Jazz
Jimmy Woods – Awakening!!
Jimmy Woods Sextet – Conflict
Art Blakey Jazz Messengers – Caravan
Charles Mingus – Mingus Mingus Mingus Mingus Mingus
Cannonball Adderley – 74 Miles Away
Joe Henderson – The Kicker
Miles Davis – And the Modern Jazz Giants
Woody Shaw – The Moontrane
Dexter Gordon – Homecoming: Live at the Village Vanguard
