Photo by Salem State Archives (CC BY 4.0)
Sonny Stitt
Alto and Tenor Saxophones · born 2 February 1924 – died 22 July 1982
▸ Click for Richard Cook Bio
A favourite source of debate is the extent to which Stitt came up with his own style: how much he took from Charlie Parker, and how much came from inside. Originally from Boston, he joined the Billy Eckstine orchestra in 1944, then went to the Dizzy Gillespie sextet and big band. But he lost his New York cabaret card when getting into trouble over narcotics, and then spent time in Detroit and Chicago, concentrating for the moment on tenor sax (and very occasionally baritone). By 1950 he was back in New York and formed a frequently convened partnership with Gene Ammons. Thereafter he spent the rest of his life as a nomadic solo: there were occasional stints with Miles Davis (1960–61), Jazz At The Philharmonic, and the Giants Of Jazz (1971–2), but Stitt never stayed in one place for long. He began playing the alto again after Parker's death, and for a while he played it through the Varitone attachment, an electronic fad which he toyed with in the late 60s. As he grew older, Stitt settled into his alto style, and the Parker comparison began to seem redundant: both men were working off the same sheet, but Stitt forced his own agenda on to the notes, and could sometimes call up the shades of Lester Young and Wardell Gray (who had once given him some informal lessons). He recorded a bewildering number of albums for at least 30 different labels: many of the sessions are entirely routine, since Stitt had seemingly little interest in posterity, but when at his best and with sympathetic accompanists he always proved the durability of hardcore bebop improvisation. He loved the challenge of a jam session: Art Pepper's recounting of one battle with Stitt (in his autobiographical Straight Life) is unforgettable. Sonny never came off the road, and died only a few days after flying home from his final concert in Japan.
Biography from Richard Cook's Jazz Encyclopedia (2005).
If you'd like more information, check out The New Grove Dictionary of Jazz (2002) or The Biographical Encyclopedia of Jazz (2007), both of which are still in print.
As leader
Sonny Stitt – Sonny Stitt with Bud Powell and J.J. Johnson
Sonny Stitt – Plays Arrangements from the Pen of Quincy Jones
Sonny Stitt – Sonny Stitt Plays
Sonny Stitt – Kaleidoscope
Sonny Stitt – Stitt’s Bits
Plays on
Mentioned in text
Clifford Brown / Max Roach – Brown and Roach Incorporated
Wardell Gray – Memorial, Volume One
Nat Adderley – That’s Nat
Thad Jones – Detroit-New York Junction
Red Rodney Quintet – Modern Music from Chicago
Wardell Gray – Memorial, Volume Two
Miles Davis Quintet – Miles
Elmo Hope – Hope Meets Foster
Elmo Hope Sextet – Informal Jazz
Bennie Green – Blows His Horn
Thelonious Monk – Monk
Billy Taylor – Introduces Ira Sullivan
Lucky Thompson & Oscar Pettiford – Vol. 2
Kenny Dorham – Afro-Cuban
J.R. Monterose – J.R. Monterose
Lou Donaldson – Quartet Quintet Sextet
Hank Mobley – With Donald Byrd and Lee Morgan
Cliff Jordan / John Gilmore – Blowing In From Chicago
Lee Morgan – Lee Morgan, Volume Three
Al Cohn – The Al Cohn Quintet
Tadd Dameron / John Coltrane – Mating Call
Sonny Rollins – Saxophone Colossus
Gene Ammons – Funky
Thad Jones / Frank Wess / Teddy Charles / Mal Waldron / Doug Watkins / Elvin Jones – Olio
Paul Quinichette – On the Sunny Side
John Coltrane – Coltrane
Curtis Fuller – New Trombone
Gene Ammons – Jammin’ In Hi Fi
Idrees Sulieman / Webster Young / John Coltrane / Bobby Jaspar – Interplay for 2 Trumpets and 2 Tenors
Prestige All-Stars – After Hours
Al Cohn / Zoot Sims – From A to Z
Matthew Gee – Jazz by Gee
Cliff Jordan – Cliff Jordan
Lou Donaldson Quintet – Swing and Soul
Sonny Clark – Dial “S” For Sonny
Lee Morgan – City Lights
Sonny Clark – Sonny’s Crib
John Coltrane – Blue Train
Lee Morgan – The Cooker
Johnny Griffin – The Congregation
Cliff Jordan – Cliff Craft
Bennie Green – Back on the Scene
Cannonball Adderley – Somethin’ Else
Kenny Burrell – Blue Lights, Volume One
Miles Davis – Milestones
Leroy Vinnegar Sextet – Leroy Walks!
Hampton Hawes Quartet – All Night Session! Vols. 1-3
Max Roach + 4 – On the Chicago Scene
John Coltrane – Traneing In
Frank Wess – Wheelin’ & Dealin’
Hal McKusick – Triple Exposure
Dorothy Ashby – Hip Harp
Prestige Blues-Swingers – Outskirts of Town
Ornette Coleman – The Shape of Jazz to Come
The 3 Sounds – The 3 Sounds
Art Blakey and the Jazz Messengers – Moanin’
Dizzy Reece – Blues in Trinity
Horace Silver Quintet – Finger Poppin’
Lou Donaldson with The Three Sounds – LD+3
Charles Mingus – Mingus Ah Um
Ornette Coleman – Tomorrow is the Question!
John Coltrane – Soultrane
Gene Ammons – Blue Gene
Young Men from Memphis – Down Home Reunion
Horace Parlan – Movin’ & Groovin’
Sonny Red – Out of the Blue
Kenny Burrell – Blue Lights, Volume Two
Horace Parlan – Us Three
Art Blakey Jazz Messengers – Caravan
Stan Getz – Sweet Rain
Miles Davis – And the Modern Jazz Giants


