Photo by William P. Gottlieb (public domain)
Dizzy Gillespie
Trumpet, Vocal · born 21 October 1917 – died 6 January 1993
▸ Click for Richard Cook Bio
John Birks Gillespie grew up with his eight siblings in Cheraw, South Carolina, and mostly taught himself the trumpet. He went to Philadelphia in 1935 and began playing in a local band led by Frankie Fairfax, where he made friends with Charlie Shavers and picked up his lifelong nickname, on account of a penchant for clowning around. Two years later he was in New York, scuffling for a job and eventually taking one of the trumpet chairs in the Teddy Hill band, because he sounded a bit like the previous incumbent, Roy Eldridge. He stayed two years (and visited Europe) but moved to Cab Calloway's band in 1939, where he became one of the star players, his Eldridge influence beginning to be displaced by an even more daring approach: after hours at Minton's in Harlem, he sat in with schemers such as Kenny Clarke and Thelonious Monk and tinkered with musical ideas that pointed towards a whole new sound. He was sacked from the band in 1941 after an argument with the leader and took on bits and pieces of work, before playing in a Philadelphia club where Charlie Parker often sat in. Both men then joined the Earl Hines band, staying for a year (a period during which no recordings were made), before Dizzy was hired by Billy Eckstine as MD for his new big band. Early in 1945, a Gillespie–Parker small group finally held an important engagement in New York, at The Three Deuces club, and it caused a sensation among musicians, effectively the unveiling of bebop. This was backed up by some of the first small-group bop recordings, for small labels such as Guild and Manor. Years of work and self-challenge had polished and driven Gillespie's playing to an electrifying level: as the message-bearer of bop's complexity and innate daring, his trumpet style brimmed with sensational ideas, enthrallingly executed. Although his tone sometimes betrays a thinness compared with some of those who followed him, it is also unflattered by the recording quality on many of the earlier bop sessions. With Parker, he was partnering the personification of bop's intensity: no wonder audiences were stunned, or in some cases repelled. At the end of 1945, Gillespie took a new sextet to the West Coast – the unreliable Parker was only occasionally in attendance – and played a residency at Billy Berg's club, although Californian audiences were sometimes indifferent to the new music. Back in New York, he had a second try at forming his own big band, the first attempt having quickly foundered a year earlier. Despite almost constant economic difficulties, the orchestra hung on until 1950, the only real bop big band which ever existed. Chano Pozo's addition to the rhythm section and originals such as Manteca (1947) made explicit Dizzy's interest in the possibilities of Afro-Cuban music, and there were radical charts in the book from such hands as George Russell, Gil Fuller and Tadd Dameron, as well as such sidemen as John Lewis, Milt Jackson and Sonny Stitt. But Gillespie was forced to disband in 1950 – in common with every other big-band leader, he felt the cold wind of an economic downturn. Slimming down to a sextet – which included John Coltrane – Gillespie carried on, for a time trying his hand at record production with his own Dee Gee label, although this went under quickly enough. He visited Europe early in 1952, and the following year saw one of his final appearances with Parker, at the celebrated Massey Hall concert in Toronto, with Bud Powell, Max Roach and Charles Mingus (the hall was half-empty owing to the concert's clashing with a big sports event). Norman Granz signed him to a record contract, where he 'met' the likes of Stan Getz and Roy Eldridge in the studios. During this period, he began playing a trumpet with an upturned bell, reputedly the consequence of an accident to one of his horns: it let him hear his own playing better.
In 1956 he went on a tour of the Middle East sponsored by the State Department, with a new big band, which he kept together for a time until another disbandment in 1958. Thereafter he worked with small groups during the 60s: James Moody was his regular front-line partner, and the music was nice if relatively uneventful. Gillespie seemed to save his best for projects such as Lalo Schifrin's setting Gillespiana (1960): as outstanding as his small-group work was, something about playing in front of an orchestra always seemed to take him up a notch. He ran for presidential office in 1963 (Jon Hendricks sang the campaign song, Vote Dizzy!) and was unsuccessful, but life on the road always kept him busy: he never kept away from bandstands for long. Granz signed him again when he started his new Pablo label, and there were a few goodish late records, although throughout the LP era record-making never seemed to bother Gillespie too much: one reason why his work is relatively undiscovered by the casual jazz audience is his lack of a signature album to come out of this period. By the 80s, he was jazz's most revered modernist, and bebop's great survivor: he always credited the steadying influence of his wife of many years, Lorraine, who kept him out of the trouble many of his contemporaries looked for. His lip was no longer as strong, but the sense of fun was undiminished, and he toured in honour of his 70th birthday with the old enthusiasm. Five years on, New York's Blue Note club put on a long celebration in honour of his impending 75th birthday, but his health had begun to fail and by the end of the year his powers had gone.
Among the compositions which he left behind were such bebop classics as A Night In Tunisia, Anthropology, Salt Peanuts (which Jimmy Carter sang with him at the White House) and Groovin' High, and with Manteca he ushered in the whole era of Latin jazz: his final big band he called The United Nation Orchestra, which shows how far his music had stretched. There was no greater entertainer in jazz, and no finer musician. One of Dizzy's visual trademarks was his enormously distended cheeks while blowing into the horn, a condition one doctor christened Gillespie's Pouches. Trumpet teachers always admonish their students not to puff out their cheeks while playing: but what aspiring trumpeter would not want to look and sound like Dizzy Gillespie?
Biography from Richard Cook's Jazz Encyclopedia (2005).
If you'd like more information, check out The New Grove Dictionary of Jazz (2002) or The Biographical Encyclopedia of Jazz (2007), both of which are still in print.
As leader
Dizzy Gillespie – Afro
Dizzy Gillespie – Dizzier and Dizzier
Roy Eldridge and Dizzy Gillespie – Roy and Diz
Roy Eldridge and Dizzy Gillespie – Roy and Diz #2
Dizzy Gillespie – World Statesman
Dizzy Gillespie – Dizzy In Greece
Dizzy Gillespie – Dizzy Gillespie and Stuff Smith
Roy Eldridge, Dizzy Gillespie, Harry Edison – Tour De Force
Plays on
Mentioned in text
Tony Fruscella – Tony Fruscella
Oscar Pettiford – Basically Duke
Clifford Brown / Max Roach – Brown and Roach Incorporated
Clifford Brown and Max Roach – Study in Brown
Tal Farlow – The Interpretations of Tal Farlow
Billy Taylor – A Touch of Taylor
Milt Jackson – Milt Jackson Quartet
Modern Jazz Quartet – Concorde
Miles Davis – The Musings of Miles
Cannonball Adderley – Presenting Cannonball
Nat Adderley – That’s Nat
Teddy Charles – The Teddy Charles Tentet
Shorty Rogers – Martians Come Back!
Jimmy Giuffre – The Jimmy Giuffre Clarinet
Modern Jazz Quartet – At Music Inn
Miles Davis – Volume One
Miles Davis – Volume Two
Jay Jay Johnson – The Eminent Jay Jay Johnson, Volume One
Jay Jay Johnson – The Eminent Jay Jay Johnson, Volume Two
Milt Jackson – And The Thelonious Monk Quintet
Jimmy Smith – A New Sound, A New Star, Volume One
Thad Jones – Detroit-New York Junction
Jimmy Smith – A New Sound, A New Star, Volume Two
Herbie Nichols – Herbie Nichols Trio
Kenny Burrell – Introducing Kenny Burrell
Clifford Brown – Memorial Album
The Jazz Messengers – The Jazz Messengers
Howard Rumsey – Lighthouse at Laguna
Carl Perkins – Introducing…
Clifford Brown and Max Roach – At Basin Street
Cannonball Adderley – In the Land of Hi-Fi
Various Artists – The Jazz Giants ’56
Bud Powell – Piano Interpretations
James Moody – Hi Fi Party
Various Artists – Conception
Miles Davis Quintet – Miles
Elmo Hope – Hope Meets Foster
Thelonious Monk – Thelonious Monk Trio
Kai and Jay / Bennie Green – With Strings
Art Farmer Septet – Plays the Arrangements and Compositions of Gryce and Jones
Tadd Dameron – Fontainebleau
Elmo Hope Sextet – Informal Jazz
Phil Woods Septet – Pairing Off
Billy Taylor Trio – With Cándido
Bennie Green – Blows His Horn
Clifford Brown – Memorial
Modern Jazz Quartet – Django
Hank Mobley – Mobley’s Message
Randy Weston Trio – With These Hands
Sonny Stitt – Sonny Stitt Plays
Joe Wilder – Wilder ‘n Wilder
Zoot Sims – Zoot
Jimmy Giuffre – The Jimmy Giuffre 3
Charles Mingus – The Clown
Modern Jazz Quartet – Modern Jazz Quartet
Milt Jackson – Plenty Plenty Soul
Horace Silver – Horace Silver Trio and Art Blakey – Sabú
Kenny Dorham – ‘Round About Midnight At The Café Bohemia
Thad Jones – The Magnificent Thad Jones
Fats Navarro – The Fabulous Fats Navarro, Volume Two
Johnny Griffin – Introducing Johnny Griffin
Kenny Dorham – Afro-Cuban
Lou Donaldson – Quartet Quintet Sextet
Lee Morgan – Indeed!
Lee Morgan – Lee Morgan Sextet
Sonny Rollins – Sonny Rollins, Volume One
Hank Mobley Quintet – Hank Mobley Quintet
Art Blakey – Orgy in Rhythm, Volume One
Art Blakey – Orgy In Rhythm, Volume Two
Lee Morgan – Lee Morgan, Volume Three
Sonny Rollins – Sonny Rollins, Volume Two
Johnny Griffin – A Blowing Session
Sabú – Palo Congo
Curtis Fuller – The Opener
Paul Chambers – Bass On Top
Bud Powell – Bud! The Amazing Bud Powell, Volume Three
Miles Davis – Birth of the Cool
Miles Davis – ‘Round About Midnight
J.J. Johnson – First Place
The Jazz Messengers – Hard Bop
Miles Davis – Miles Ahead
Max Roach – Plus Four
Nat Adderley – To The Ivy League From Nat
Gerry Mulligan – Mainstream of Jazz
Horace Silver – Silver’s Blue
Warne Marsh – Jazz of Two Cities
Charles Mingus – Charles Mingus Trio
Modern Jazz Quartet / Milt Jackson Quintet – MJQ
Gil Mellé – Gil’s Guests
Tadd Dameron / John Coltrane – Mating Call
Billy Taylor – Cross Section
Hank Mobley / Al Cohn / John Coltrane / Zoot Sims – Tenor Conclave
Thelonious Monk / Sonny Rollins – Thelonious Monk and Sonny Rollins
Miles Davis All-Stars – Walkin’
Sonny Rollins – Saxophone Colossus
Phil Woods / Donald Byrd – The Young Bloods
Kenny Burrell – Kenny Burrell
Mal Waldron Quintet – Mal-1
Mose Allison – Back Country Suite
John Coltrane – Coltrane
Curtis Fuller – New Trombone
Miles Davis – Bags Groove
Gene Ammons – Jammin’ In Hi Fi
Idrees Sulieman / Webster Young / John Coltrane / Bobby Jaspar – Interplay for 2 Trumpets and 2 Tenors
Phil Woods / Gene Quill – Phil Woods & Gene Quill with Prestige
Phil Woods / Gene Quill / Sahib Shihab / Hal Stein – Four Altos
Art Taylor – Taylor’s Wailers
Hal McKusick – Jazz Workshop
George Russell – Jazz Workshop
Red Allen – Ride, Red, Ride in Hi-Fi
Matthew Gee – Jazz by Gee
Ernie Henry – Presenting Ernie Henry
Bill Evans – New Jazz Conceptions
Thelonious Monk – Brilliant Corners
Gigi Gryce – Jazz Lab Quintet
Thelonious Monk – Thelonious Himself
Clark Terry – Serenade to a Bus Seat
Kenny Dorham – Jazz Contrasts
Thelonious Monk – Monk’s Music
Thelonious Monk – Mulligan Meets Monk
Hank Mobley Quintet – Introducing Lee Morgan
Hank Mobley – Jazz Message #2
Various Artists – Trumpets All Out
Cecil Payne – Cecil Payne
Ray Brown – Bass Hit!
Tal Farlow – The Swinging Guitar of Tal Farlow
Billy Taylor – The New Billy Taylor Trio
George Wallington – Knight Music
Art Blakey’s Jazz Messengers – With Thelonious Monk
Paul Chambers – Paul Chambers Quintet
Hank Mobley – Hank Mobley
Sonny Clark – Dial “S” For Sonny
Curtis Fuller – Bone & Bari
Lee Morgan – City Lights
Sonny Clark – Sonny’s Crib
John Coltrane – Blue Train
Lee Morgan – The Cooker
Sonny Clark – Sonny Clark Trio
Sonny Rollins – A Night at the Village Vanguard
Louis Smith – Here Comes Louis Smith
Bennie Green – Back on the Scene
Lee Morgan – Candy
Lou Donaldson – Lou Takes Off
Louis Smith – Smithville
Cannonball Adderley – Somethin’ Else
Bennie Green – Soul Stirrin’
Miles Davis – Milestones
Red Mitchell – Presenting Red Mitchell
Leroy Vinnegar Sextet – Leroy Walks!
Hampton Hawes Quartet – All Night Session! Vols. 1-3
Bill Holman – The Fabulous Bill Holman
George Wallington Quintet – The Prestidigitator
Jimmy Cleveland – Cleveland Style
Max Roach + 4 – On the Chicago Scene
Phil Woods – Warm Woods
Jackie McLean / John Jenkins – Alto Madness
Yusef Lateef Quintet – The Sounds of Yusef
John Coltrane – Traneing In
Steve Lacy – Soprano Sax
Paul Quinichette – For Basie
King Pleasure Sings / Annie Ross Sings
Miles Davis Quintet – Relaxin’
Red Garland Quintet – All Mornin’ Long
Frank Wess – Wheelin’ & Dealin’
Gene Ammons – The Big Sound
Sonny Stitt – Stitt’s Bits
Tommy Flanagan – Overseas
Hal McKusick – Triple Exposure
Herbie Mann – Mann in the Morning
Red Garland Trio – Manteca
Prestige Blues-Swingers – Outskirts of Town
Freddy Redd Trio – San Francisco Suite for Jazz Trio
Benny Golson – The Modern Touch
Johnny Griffin – Johnny Griffin Sextet
Bud Powell Trio – Blues in the Closet
Ornette Coleman – The Shape of Jazz to Come
Hank Mobley / Lee Morgan – Peckin’ Time
Art Blakey – Holiday for Skins, Volume 1
Art Blakey – Holiday for Skins, Volume 2
Dizzy Reece – Blues in Trinity
Horace Silver Quintet – Finger Poppin’
Bennie Green – Walkin’ and Talkin
Jimmy Smith – The Sermon
Gerry Mulligan – What Is There To Say?
Dave Brubeck – Gone With the Wind
Miles Davis – Kind of Blue
Charles Mingus – Mingus Ah Um
Cecil Taylor Quartet – Looking Ahead!
Ornette Coleman – Tomorrow is the Question!
John Coltrane – Soultrane
Gene Ammons – Blue Gene
Cannonball Adderley & Milt Jackson – Things Are Getting Better
Wynton Kelly – Kelly Blue
Johnny Griffin – The Little Giant
Young Men from Memphis – Down Home Reunion
Ornette Coleman – Change of the Century
Walter Davis, Jr. – Davis Cup
Donald Byrd – Byrd in Hand
Kenny Burrell – On View at the Five Spot Cafe
Duke Pearson – Profile
Dizzy Reece – Star Bright
Horace Parlan – Movin’ & Groovin’
Jimmy Smith – Crazy! Baby
Jackie McLean – Capuchin Swing
Yusef Lateef – The Three Faces of Yusef Lateef
Booker Little – Booker Little
Wynton Kelly – Kelly at Midnite
John Coltrane – Giant Steps
Curtis Fuller – Curtis Fuller, Volume Three
Lee Morgan – Lee-Way
Lou Donaldson – Sunny Side Up
Benny Bailey – Big Brass
Howard McGhee – Maggie’s Back in Town
Thelonious Monk – With John Coltrane
Bill Evans Trio – Explorations
J.J. Johnson / Kai Winding – The Great Kai & J.J.
John Coltrane Quartet – Africa/Brass
Max Roach – Percussion Bitter Sweet
Paul Gonsalves – Gettin’ Together
John Coltrane – Coltrane Plays the Blues
Benny Carter and His Orchestra – Further Definitions
McCoy Tyner Trio – Inception
Milt Jackson Quartet – Statements
Thelonious Monk Quartet – Monk’s Dream
Charles Mingus – Town Hall Concert, 1964
John Coltrane – Coltrane Live at Birdland
Wynton Kelly Trio – Smokin’ at the Half Note
Zoot Sims – Waiting Game
Stan Getz – Sweet Rain
Joe Henderson – The Kicker
Miles Davis – And the Modern Jazz Giants
Joe Henderson – Power to the People
Miles Davis – Bitches Brew
Woody Shaw – The Moontrane
Jimmy Heath – Picture of Heath
Tommy Flanagan – Ballads & Blues


