Paul Chambers

Art by Tim Foley

Paul Chambers

Bass · born 22 April 1935 died 4 January 1969

Click for Richard Cook Bio

In his unemphatic way, Chambers did much to set the agenda for modern bass players, and it was cruel that he became all but forgotten by the middle of the 60s. He played in Detroit in the early 50s and arrived in New York in 1955, on a tour with Paul Quinichette. Immediately in demand, he joined Miles Davis that same year and enjoyed a long stay, all the while freelancing on a huge number of record dates: he is on Coltrane's Blue Train and Giant Steps as well as the likes of Sonny Rollins's Tenor Madness. But it was his work with Davis which won most attention. Although he played in the already classic walking-bass style, something about his fingerings and note-choices set him apart: he does nothing disruptive, yet nothing sounds routine. As perhaps the first bassist to receive regular solos in the LP era, he again followed logical yet unpredictable paths in his improvising. His heroin addiction sometimes made Davis curse him for nodding out on the stand, but it also made him less combative, and Chambers stayed with the trumpeter for eight years, one of his longest-serving sidemen. Afterwards, though, his career went nowhere, his apparent conservatism suddenly less in favour. Three Blue Note albums, none of them that remarkable, are his main legacy as leader. Ill-health finally took him off the scene altogether.

Biography from Richard Cook's Jazz Encyclopedia (2005).

If you'd like more information, check out The New Grove Dictionary of Jazz (2002) or The Biographical Encyclopedia of Jazz (2007), both of which are still in print.