Hank Mobley

Art by Tim Foley

Hank Mobley

Tenor Saxophone · born 7 July 1930 died 30 May 1986

Click for Richard Cook Bio

Mobley grew up in New Jersey and took up the alto sax around 1948, but discouraged by Charlie Parker's omnipresence he soon switched to tenor. He played mostly with Paul Gayten's R&B band until 1954, when he spent time with Dizzy Gillespie's sextet and then joined what would become the first edition of Art Blakey's Jazz Messengers. He stayed two years, and then worked with Horace Silver, Thelonious Monk and Miles Davis, besides embarking on a long and fruitful recording career with Blue Note: besides numerous sideman appearances, he cut more than 20 albums as a leader for the label. Mobley has always been a favourite among jazz LP collectors, and although never deemed to be much of an influence, he was actually more highly regarded than some think: many British musicians of the 50s and 60s sought out what were then his very hard to find records. In the age of Rollins and Coltrane, his 'round sound' seemed comparatively tepid, but it was allied to a brilliant understanding of how to make the beat work for a soloist. On his greatest records, Soul Station, Roll Call and Workout (1960–61), he seems to time every inflexion of his melodic line with some aspect of the underlying pulse, and some of his solos have a cliffhanger aspect which he unfailingly rights by the end. While some of his later records fell prey to Blue Note's search for popular hits, he remained a consistently absorbing player. But in other respects his career was luckless. Narcotics kept interfering – he spent time in prison either side of his Miles Davis stint in 1961 – and after the Blue Note era had ended, his health declined. A booking at the North Sea Jazz Festival in 1985 caused great excitement among the faithful, but it never transpired, and Hank died the following year.

Biography from Richard Cook's Jazz Encyclopedia (2005).

If you'd like more information, check out The New Grove Dictionary of Jazz (2002) or The Biographical Encyclopedia of Jazz (2007), both of which are still in print.