Photo by William P. Gottlieb (public domain)
Max Roach
Drums · born 10 January 1924 – died 16 August 2007
▸ Click for Richard Cook Bio
Roach always had strong associations with black church music, his mother singing gospel and himself playing in church from an early age in North Carolina. He moved to New York in his teens and became the house drummer at Monroe's in 1942, inevitably falling in with the musicians working towards bebop. He joined Benny Carter's big band in 1944, but a year later was working with Parker and Gillespie on 52nd Street and in Dizzy's big band. He plays drums on most of Parker's important small-group sessions during 1947–9: he and Kenny Clarke had set down the primer for bop drumming, the pulse driven out from the ride cymbal, the 'bomb-dropping' bass-drum interpolations, the variations of rhythm and sound coming from the other parts of the kit. Roach was a more daring stylist than Clarke, less 'proper' in a way, and he was probably the figure who most inspired the likes of Roy Haynes to really think about their own approaches.
Roach continued working with Parker and Miles Davis while also studying composition in Manhattan School, and in 1952 he began an alliance with Charles Mingus which resulted in the formation of a record label, Debut. A year later he was over on the West Coast, where he formed a new band with Clifford Brown and Sonny Stitt, who was replaced first by Teddy Edwards and then by Harold Land. The Brown–Roach quintet began touring in 1954 and its reputation was enhanced by four brilliant records for Emarcy: Brown's creativity was surging towards a peak, Roach matched him, and Land and pianist Richie Powell played above themselves in such a sparkling context. Where Blakey's Jazz Messengers were setting down one kind of hard-bop blueprint, the Roach–Brown group suggested a less bluesy, more aristocratic kind of style. Land was replaced by Sonny Rollins in 1955, but the deaths of Brown and Richie Powell in a car accident the following June devastated Roach, although he re-formed a new band soon enough.
He did, in fact, continue to lead small bands of one sort or another from then until the early 90s. His first horn players after the dissolution of the Brown group were Kenny Dorham and Booker Little, Hank Mobley and George Coleman, and Julian Priester; Roach suffered badly from depression during this period and Priester remembers the leader punching him during a fraught club gig. The records became, if anything, even stronger and more challenging: Deeds Not Words (1958) and We Insist! Freedom Now Suite (1960) saw Roach opening up his music to the wider possibilities of studio work in the LP era, touching on freely paced structures and using barrier-nudging soloists like Little to bring a new immediacy to what he was doing. His then wife, Abbey Lincoln, performs on some of this music, and the politically aware Roach began using his work as a platform for cultural protest. Though the Debut venture had long since foundered, Roach and Mingus collaborated on an 'alternative' Newport festival in 1960, and a year later he stopped a Miles Davis concert at Carnegie Hall with a protest against the sponsoring African Research Foundation. As the decade wore on, though, Roach contented himself with letting his music do the talking. He recorded a largely solo album, Drums Unlimited, in 1966, which bridged his take on jazz tradition with an undogmatic approach to the way it could be opened into other areas of improvising. This led eventually to his all-percussion ensemble M'Boom, first established around 1970 and which continued into the 90s. He recorded comparatively infrequently in the 70s, for the most part leading a relatively conventional post-bop quintet, but in the 80s he was busier in the studios with both M'Boom and his own groups, and he also took to performing duos with some surprising collaborators – Archie Shepp and Cecil Taylor – where he lent regal authority and counterpoint to the free playing of his partners. The duo with Taylor has been convened on a number of occasions since, and there was also a concert duo recording with Dizzy Gillespie in 1989, a farewell to bebop from two of its originators. Roach's body of work has an invincible look to it: there is little or nothing which looks like a studio chore or a producer's folly. His playing, particularly as a soloist, has a composer's refinement and particularity, as well as a master drummer's accomplishment; and he should be remembered as a principal among the many small-group leaders of the past 50 years.
Biography from Richard Cook's Jazz Encyclopedia (2005).
If you'd like more information, check out The New Grove Dictionary of Jazz (2002) or The Biographical Encyclopedia of Jazz (2007), both of which are still in print.
As leader
Clifford Brown / Max Roach – Brown and Roach Incorporated
Clifford Brown and Max Roach – Study in Brown
Clifford Brown and Max Roach – At Basin Street
Max Roach – Plus Four
Max Roach – Jazz in 3/4 Time
Max Roach + 4 – On the Chicago Scene
Max Roach – Deeds, Not Words
Max Roach – We Insist! Freedom Now Suite
Max Roach – Percussion Bitter Sweet
Max Roach Chorus and Orchestra – It’s Time
Plays on
Cannonball Adderley – Julian Cannonball Adderley
Bud Powell – Jazz Original
Bud Powell – The Amazing Bud Powell, Volume One
Thelonious Monk – Genius of Modern Music, Volume Two
Herbie Nichols – Herbie Nichols Trio
Charles Mingus – Mingus At The Bohemia
Various Artists – Conception
Sonny Rollins – Worktime
J.J. Johnson / Kai Winding / Bennie Green – Trombone By Three
Sonny Stitt – Sonny Stitt with Bud Powell and J.J. Johnson
Thelonious Monk – Thelonious Monk Trio
Sonny Rollins – Plus Four
Miles Davis – Blue Haze
Johnny Griffin – Introducing Johnny Griffin
Sonny Rollins – Sonny Rollins, Volume One
Thad Jones – The Magnificent Thad Jones, Volume Three
Miles Davis – Birth of the Cool
J.J. Johnson – First Place
The Quintet – Jazz at Massey Hall
Clifford Brown – Clifford Brown All-Stars
Sonny Rollins – Saxophone Colossus
Sonny Rollins – Rollins Plays for Bird
Thelonious Monk – Brilliant Corners
Kenny Dorham – Jazz Contrasts
Sonny Rollins – Tour De Force
Benny Golson – The Modern Touch
Sonny Rollins – Freedom Suite
Mentioned in text
Serge Chaloff – Boston Blow-Up!
Miles Davis – Blue Moods
Modern Jazz Quartet – Concorde
Jimmy Giuffre – The Jimmy Giuffre Clarinet
Modern Jazz Quartet – At Music Inn
Bud Powell – The Amazing Bud Powell, Volume Two
Jay Jay Johnson – The Eminent Jay Jay Johnson, Volume One
Jay Jay Johnson – The Eminent Jay Jay Johnson, Volume Two
The Jazz Messengers – At the Café Bohemia, Volume One
The Jazz Messengers – At the Café Bohemia, Volume Two
Thelonious Monk – Genius of Modern Music, Volume One
Art Blakey – A Night At Birdland, Volume One
Art Blakey – A Night At Birdland, Volume Two
Jimmy Smith – At The Organ, Volume Three
Clifford Brown – Memorial Album
Dexter Gordon – Blows Hot and Cool
Carl Perkins – Introducing…
Elmo Hope Trio – Meditations
Elmo Hope – Hope Meets Foster
Miles Davis / Milt Jackson – Quintet / Sextet
Tadd Dameron – Fontainebleau
Gene Ammons – Hi Fidelity Jam Session
Elmo Hope Sextet – Informal Jazz
Earl Coleman – Earl Coleman Returns
Phil Woods Septet – Pairing Off
Sonny Rollins Quartet – Tenor Madness
Jackie McLean – 4, 5, and 6
Bennie Green – Walking Down
Clifford Brown – Memorial
Hank Mobley – Mobley’s Message
Charles Mingus – The Clown
Kenny Dorham – ‘Round About Midnight At The Café Bohemia
Thad Jones – The Magnificent Thad Jones
Kenny Dorham – Afro-Cuban
Horace Silver – 6 Pieces of Silver
Hank Mobley – With Donald Byrd and Lee Morgan
Lou Donaldson Quintet – Wailing With Lou
Hank Mobley Quintet – Hank Mobley Quintet
Art Blakey – Orgy in Rhythm, Volume One
Art Blakey – Orgy In Rhythm, Volume Two
Sonny Rollins – Sonny Rollins, Volume Two
Johnny Griffin – A Blowing Session
Horace Silver – The Stylings of Silver
Curtis Fuller – The Opener
Dave Brubeck Quartet – Jazz Impressions of the U.S.A.
Don Byrd / Gigi Gryce – Jazz Lab
Art Blakey and the Jazz Messengers – Drum Suite
The Jazz Messengers – Hard Bop
Curtis Counce – The Curtis Counce Group
Sonny Rollins – Way Out West
Curtis Counce – You Get More Bounce With Curtis Counce
Horace Silver – Silver’s Blue
Warne Marsh – Jazz of Two Cities
Charlie Parker – Bird at St. Nick’s
Marty Paich – Marty Paich Trio
Sonny Rollins – Moving Out
Gil Mellé – Gil’s Guests
Prestige All-Stars – All Night Long
Phil Woods / Donald Byrd – The Young Bloods
Prestige All-Stars – All Day Long
Hank Mobley Quintet – Mobley’s 2nd Message
Miles Davis Quintet – Cookin’
Ray Draper Quintet – Tuba Sounds
Curtis Fuller – New Trombone
Miles Davis – Bags Groove
Gene Ammons – Jammin’ In Hi Fi
Idrees Sulieman / Webster Young / John Coltrane / Bobby Jaspar – Interplay for 2 Trumpets and 2 Tenors
Phil Woods / Gene Quill / Sahib Shihab / Hal Stein – Four Altos
Art Taylor – Taylor’s Wailers
George Russell – Jazz Workshop
Ernie Henry – Presenting Ernie Henry
Bill Evans – New Jazz Conceptions
Sonny Rollins – The Sound of Sonny
Thelonious Monk – Mulligan Meets Monk
Hank Mobley Quintet – Introducing Lee Morgan
Hank Mobley – Jazz Message #2
Cecil Payne – Cecil Payne
Dizzy Gillespie – Dizzy Gillespie and Stuff Smith
George Wallington – Knight Music
Warne Marsh – Warne Marsh
Paul Chambers – Paul Chambers Quintet
Cliff Jordan – Cliff Jordan
Hank Mobley – Hank Mobley
Curtis Fuller – Bone & Bari
John Jenkins / Kenny Burrell – John Jenkins with Kenny Burrell
John Coltrane – Blue Train
Cliff Jordan – Cliff Craft
Horace Silver Quintet – Further Explorations
Lee Morgan – Candy
Leroy Vinnegar Sextet – Leroy Walks!
George Wallington Quintet – The Prestidigitator
Jackie McLean / John Jenkins – Alto Madness
Miles Davis Quintet – Relaxin’
Tommy Flanagan – Overseas
Thelonious Monk Quartet – Misterioso
Ornette Coleman – The Shape of Jazz to Come
Hank Mobley / Lee Morgan – Peckin’ Time
The 3 Sounds – The 3 Sounds
Jimmy Smith – The Sermon
Charles Mingus – Mingus Ah Um
Sonny Rollins – And the Contemporary Leaders
Ornette Coleman – Tomorrow is the Question!
Johnny Griffin – The Little Giant
Young Men from Memphis – Down Home Reunion
Walter Davis, Jr. – Davis Cup
Donald Byrd – Byrd in Hand
Freddie Redd Quartet – Music from The Connection
Horace Parlan – Movin’ & Groovin’
Hank Mobley – Soul Station
Stanley Turrentine – Look Out!
Harold Land – The Fox
Jackie McLean – Makin’ the Changes
Eric Dolphy – Outward Bound
Booker Little – Booker Little
Lee Morgan – Lee-Way
Eric Dolphy – Out There
John Coltrane – Coltrane Plays the Blues
Jackie Paris – The Song is Paris
McCoy Tyner Trio – Inception
Jimmy Woods Sextet – Conflict
Art Blakey Jazz Messengers – Caravan
Charles Mingus – The Black Saint and the Sinner Lady
Charles Mingus – Town Hall Concert, 1964
Elvin Jones – And Then Again
Miles Davis – And the Modern Jazz Giants
Dexter Gordon – Homecoming: Live at the Village Vanguard
Richard Davis – Way Out West
